You are here

OKUMA SÜRECİNİ CİSİMLEŞTİRMEK: JASPER FFORDE'NİN THE EYRE AFFAİR ROMANI

MATERIALIZING THE READING PROCESS: JASPER FFORDE’S THE EYRE AFFAIR

Journal Name:

Publication Year:

DOI: 
10.5505/pausbed.2017.83798
Author NameUniversity of Author
Abstract (2. Language): 
This study suggests that Jasper Fforde’s novel The Eyre Affair (2001) is a fictional representation of the reader response theory. Being the first novel of the Thursday Next series, the novel introduces the reader an alternate universe in which there are no boundaries between the real and the fictitious worlds. Allowing the reader enter Jane Eyre’s story both on a mental and physical level, Fforde’s rewriting fills in the gaps within the source text with alternative incidents. Basing its argument on Louise M. Rosenblatt’s theory concerning the transactional reader response theory, this study displays the reader’s dynamic role during the reading process by emphasizing the intertextual relationship between Jane Eyre and The Eyre Affair.
Abstract (Original Language): 
Bu çalışma Jasper Fforde’nin The Eyre Affair (2001) adlı romanının okur tepkisi odaklı eleştiri kuramının kurmaca bir temsili olduğu iddiasını ortaya atmaktadır. Thursday Next roman dizisinin ilk romanı olan bu metin, okura gerçek ve kurmaca arasında sınır bulunmayan bir evren sunar. Okurun Jane Eyre’in dünyasına hem zihinsel hem fiziksel olarak girmesine olanak sağlayarak Fforde tarafından kaleme alınan bu yeniden yazım, kaynak metindeki boşlukları alternatif olaylarla doldurmaktadır. Louise M. Rosenblatt’ın okur tepkisi odaklı eleştiri kuramını temel alan bu çalışma, Jane Eyre ve The Eyre Affair romanları arasındaki metinlerarası ilişkiyi vurgulayarak okurun okuma sürecindeki dinamik rolünü gözler önüne sermektedir.
117
124

REFERENCES

References: 

Barthes, R. (1977). Image - Music – Text, (Trns. S. Heath), Fontana Press, London.
Berninger, M. and Thomas, K. (2007). “A Parallelquel of a Classic Text and Reification of the Fictional – the Playful Parody of Jane Eyre in Jasper Fforde’s The Eyre Affair”. A Breath of Fresh Eyre: Intertextual and Intermedial Reworkings of Jane Eyre, (Ed: M. Rubik and E. Mettingen-Schartmann), Radopi, Amsterdam and New York.
Brontë, C. (1992). Jane Eyre, Wordsworth Editions Limited, Hertfordshire.
Fforde, J. (2004). Something Rotten, Penguin Books, London.
Fforde, J. (2003a). The Eyre Affair, 2nd Edition, Penguin Books, London.
Fforde, J. (2003b). The Well of Lost Plots, Viking Books, New York.
Głowiński, M. (1977). “On the First-Person Novel”, (Trns.: R. Stone), New Literary History, 9/1, 103-114.
Hateley, E. (2005). “The End of The Eyre Affair: Jane Eyre, Parody, and Poplular Culture”, The Journal of Popular Culture, 38/6, 1022-1036.
Horstkotte, M. (2003). “The Worlds of the Fantastic Other in Postmodern English Fiction”, Journal of the Fantastic in the Arts, 14/3, 318-332.
Hutcheon, L. (2007). The Politics of Postmodernism, 2nd Edition, Routledge, London and New York.
Kirchknopf, A. (2011). “The Future of the Post-Victorian Novel: A Speculation in Genre”, Hungarian Journal of English and American Studies (HJEAS), 17/2, 351-370.
Rosenblatt, L. M. (1995). Literature as Exploration, 5th Edition, The Modern Language Association of America, New York.
Rosenblatt, L. M. (2005). “Literature – S.O.S.!”, Making Meaning with Texts: Selected Essays, Heinemann, Portsmouth, 89-95.
Rosenblatt, L. M. (1993). “The Transactional Theory: Against Dualisms”, College English, 55/4, 377-386.
Rosenblatt, L. M. (1985). “Viewpoints: Transaction versus Interaction: A Terminological Rescue Operation”, Research in the Teaching of English, 19/1, 96-107.
Taylor, P.R. (2010). “Criminal Appropriations of Shakespeare in Jasper Fforde’s ‘Something Rotten’”, College Literature, 37/4, 23-41.

Thank you for copying data from http://www.arastirmax.com