KOMŞU KADIN FİLMİNE AŞK VE KADIN İZLEKLERİ AÇISINDAN BİR BAKIŞ

The main aim of this study is to investigate if that is possible to perform the issues of 'love' and 'woman' in cinema, not using the codes of traditional cinema and given values of the system . For this aim, after relating popular culture and cinema and giving different ways of narrative methods within a short brief a Traffaut film is analyzed as an example of the cinema that can differentiate from the dominant conception of the way of daily perception in relation to the themes of 'love' and 'woman.' In the end, results that are arrived are presented. The study comes to a conclusion that it is possible to make a film not using the codes of traditional cinema even if within the boundaries of popular cinema, that can also serve for the emancipation of woman and 'real love' practice.