You are here

Power and Truth in Atwood's The Blind Assassin

Journal Name:

Publication Year:

DOI: 
DOI: 10.5782/2223-2621.2012.15.4.56
Abstract (2. Language): 
The present paper explicates the power relations in the social and private networks of the characters' lives in Margaret Atwood's The Blind Assassin. Several groups of relationships are observed to demonstrate noticed and neglected power forces among men and women in the story. Thus the battleground is depicted and the domination of men over women will be rejected. Using Foucault's ideas about power and truth, I try to display the conflict of all against all in the novel and likewise in the civilized society we live in.
56-63

REFERENCES

References: 

Atwood, Margaret. The Blind Assassin. New York: Anchor, 2001
Berten,
Hans
, Literary theory: the Basics, London: Routledge, 2001
Bouson, J. Brooks. "A Commemoration of wounds endured and resented: Margaret
Atwood's the Blind assassin. Assassin as Feminist Memoir." Critique: Studies in
Contemporary Fiction 44.3 (2003): 251-69 Cixous, Helen. "The Laugh of the Medusa." 1976. Trans. Keith Cohen and Paula Cohen.
New French Feminists: an Anthology. Ed. and intro. Elaine Marks and Isabelle de
Courtivron. New York: Harvester, 1980. 245-64 Gordon, Colin. Foucault, M. (1980). Power/Knowledge: Selected Interviews & Other
Writings 1972-1977. Pantheon Books, New York (Alessandro Fontana, Pasquale
Pasquino "Truth and Power, Interviewers" 109- 131) Gutting, Gray. Foucault: A very short Introduction. Oxford University Press. 2005 Martin, L.H. et al. "Truth, Power, self: an Interview with Michel Foucault. October 25th
1982.," Technologies of the self: A seminar with Michel Foucault. London:
Tavistock. (1988). Pp.9-15 Showalter, Elaine The New Feminist Criticism, New York: Pantheon. 1985 Stein, Karen F. "A left handed story: the Blind Assassin." Margaret Atwood's Textual
Assassinations: Recent Poetry and Fiction. Ed. Sharon Rose Wilson. Columbus:
Ohio State, (2003). 135-53
Yildirim Koyuncu, Nevin. "Revising script of femininity in Margaret Atwood's the Blind Assassin." Interactions 16:2 (Fall 2007): 73-86.

Thank you for copying data from http://www.arastirmax.com