You are here

The Art of Science Making Things Popular with Scientific Journal Covers

Journal Name:

Publication Year:

Author NameUniversity of Author
Abstract (2. Language): 
So far cover pictures of scientific magazines have only been examined sporadically. This article is a humble attempt to improve this deficit. Especially cover pictures of the science journal Science will serve as examples. Following a system–theoretical foundation of my access, the central visualization strategies of the cover pictures of Science will be identified and their functionality evaluated. Three thesis statements shall be proposed within this. First Thesis: On the cover of scientific journals a popular picture of (natural) science is designed which is meant to make a (natural) scientific approach especially attractive and communicatively accessible for recipients independent of concrete research contexts. Second Thesis: Therefore a specific aesthetic is developed on the cover of scientific journals with recourse to the artistic avant–garde (especially of Pop Art and Minimal Art) and their visual form principles of seriality. Third Thesis: Through the iconic and indexical foundation of these form principles a direct affecting of the recipient is targeted at in a special way.
FULL TEXT (PDF): 
157
180

REFERENCES

References: 

Atkin, Albert. (2013). Peirce's Theory of Signs.InThe Stanford Encyclopedia of
Philosophy.Retrieved from:http://plato.stanford.edu/archives/sum2013/entries/peirce
semiotics/ [27.8.14].
Barthes, Roland. (1977). Rhetoric of the Image. In Heath, Stephen (Ed.),Image, Music, Text,
(pp. 32–51). New York: Hill and Wang.
Coplans, John (Ed.). (1968).Serial Imagery. New York: Graphic Society.
Fitzpatrick, Yael. (2012).Cover Stories: Getting a New Perspective. InScience, 24 August
2012, Vol. 337, no. 6097, p. 877.DOI: 10.1126/science.337.6097.877.
Gennete, Gérard. (1997).Paratexts: Thresholds of Interpretation, Cambridge: Cambridge
University Press.
Gigante, Maria Elena.(2012). Accommodating Scientific Illiteracy.Award–Winning
Visualizations on the Covers of Science.InJournal of Technical Writing and
Communication, Bd. 41, pp. 21–38.
Glasshoff, C. M. (2012).Why should I listen? TheEthos of science magazine covers. In2012
IEEE International Professional Communication Conference, Orlando, FL, USA,
October 8–10, 2012, pp. 1–7.
Kant, Immanuel. (1914).Critique of Judgement, London: Macmillian, Retrieved from:
http://lf–oll.s3.amazonaws.com/titles/1217/Kant_0318_EBk_v6.0.pdf[27.8.14].
Liang, Yan. (2013). How to make cover art for scientific journals: study existing covers and
make early decisions. InL2Molecule.com. Visualize Science, Retrieved from:
http://www.l2molecule.com/2013/12/20/how–to–make–cover–art–for–scientific–
journals–study–existing–covers–and–make–early–decisions/ [28.6.14].
Liang, Yan. (2014). How to make cover art for scientific journals: case studies.
InL2Molecule.com. Visualize Science, Retrieved from:
http://www.l2molecule.com/2014/01/22/how–to–make–cover–art–for–scientific–
journals–case–studies/ [28.6.14].
Luhmann, Niklas. (2000).The Reality of the Mass Media, Stanford: Stanford University Press.
Luhmann, Niklas. (2012).Theory of Society. Volume 1, Stanford:Stanford University Press.
N. Matthews/ N. Moody (Eds.). (2007).Judging a Book by its Cover. Fans, Publisher,
Designers, and the Marketing of Fiction, Burlington/ Hampshire: Ashgate Publish
Limited.
Online Journal of Communication and Media Technologies
Volume: 5 – Issue: 2 April - 2015
© Online Journal of Communication and Media Technologies
178
Nelkin, Dorothy.(2001). Molecular metaphors: the gene in popular discourse, Innature
Reviews. Genetics, 2, 2001, pp. 555–559. Doi:10.1038/35080583.
Science Homepage. (2014).Retrieved from: http://www.sciencemag.org/ [27.9.14].
Stäheli, Urs.(2005). Das Populäre als Unterscheidung – eine theoretische Skizze“ [The
PopularasDifference–a Theoretical Sketch]. In Pompe, Hedwig/ Jens Ruchatz
(Eds.).Popularisierung und Popularität(pp. 146–167). Köln: Du Mont.
Sykora, Katharina. (1983).Das Phänomen des Seriellen. Aspekte einer künstlerischen
Methode von Monet bis zur amerikanischen Popart[The PhenomenaofSerality.
Aspects of Artistic Methods form Monet to American Pop Art], Würzburg:
Könighausen& Neumann.
Winkler, Hartmut. (2008).BasiswissenMedien[Basic Knowledge Media], Frankfurt am Main:
Fischer.

Thank you for copying data from http://www.arastirmax.com