TRACES OF ERNST EGLI IN ATATÜRK FOREST FARM: SITE PLANNING, BEER FACTORY, HOUSING AND THE “TRADITIONAL” HAMAM
Journal Name:
- Orta Doğu Teknik Üniversitesi Mimarlık Fakültesi Dergisi
Keywords (Original Language):
Author Name | University of Author |
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Abstract (2. Language):
“Gazi Forest Farm” established on 5 May 1925 was designed and
developed as a modern site with concern for leisure activities along with
agricultural, industrial, and commercial components. Following the first
construction between 1925 and 1926, development in 1930s was conducted
so as to show a planned environment with modern concerns in mind. The
initial plan for the Farm dated 1934 was maintained by the Swiss architect
Ernst Arnold Egli, who attempted to innovate an approach to connect the
historical and the cultural past of the new nation with the geography of
the site, and the very public space requirements of the new-born Republic
of Turkey. Although the plan was not applied in its entirety, the design
makes one to consider the Atatürk Forest Farm to constitute a small model
of the national modernity project, with the social, cultural and historic
implications it has. Only two years after the initial design, planning and
architectural implementations in the Farm were conducted in a more
comprehensive and programmed manner. Following the plan prepared by
Hermann Jansen in 1936 and with the Jansen-Egli cooperation, projects for
the Beer and Malt Factory, housing, hamam (Turkish Bath) and restaurant,
the main structures of the site were rapidly prepared and realized by Egli
in 1937.
The Beer and Malt Factory was one of the main buildings which
transformed/changed the Farm in a considerable manner with its central
position; accommodation facilities provided the employees with houses
close to workplace; managerial units and the Railway Station completed
the scene for the suburban leisure space to be within easy reach with the
new Capital city Ankara. The Factory’s machine-like and rational form
corresponding to its function with technologic facilities was complemented
with the modern forms of official buildings and housing for employees,
as well as with the hamam. While housing units provided a modern
atmosphere for the users of the quarter, they were designed to cope with
the living habits of the emerging working class. For the design of the Beer
Factory Hamam, one of the most interesting buildings of the site, Egli was
adhered to the characteristic scheme of the Ottoman Hamam, and complied
with the modern approach of 1930s while using the material and technique:
he utilized current technological implementations for its water and heating
system, contrary to the traditional hamams, which might be called an
innovation.
With the hamam and the housing, the Beer and Malt Factory, as one of the
main buildings of the site provided the Farm to have a more modern and
holistic appearance as an industrial production area. Natural landscaping,
parks and gardens of the Farm take the workplace away from the usual
factory image. Carefully embellished gardens next to the factory where few
species of plants were cultivated; the restaurants, parks, pools and other
areas for entertainment, detach the industrial and agricultural production
locations considered as collective spaces in integrity, in an order not
disturbing each other.
Factory and employee housing of the industrial period and their
environments for living created in connection therewith, are still a rich
source of information. However nowadays it is evident that this initial
environment created for a modern way of living and production is under
a great pressure of change, which ends up in ill-management, under
maintenance and simply ignorance. As an architectural heritage from
the Early Republican Era, it is required to appreciate the value of and to
preserve the buildings of the Atatürk Forest Farm, as one primary sample
of a modern, contemporary, secular environmental contruction. The paper
aims to document the planning and construction development of the
campus and its buildings in the light of the textual and visual documents
acquired from the ETH Zürich Archive, the Presidency Atatürk Archive,
Prime Ministry Archive for the Republic, the Architektsmuseum TU Berlin,
the TTA General Directorate Archive, and the Atatürk forest Farm Archive.
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Abstract (Original Language):
“Yaşamak ve ölümün didinmesi, güneş ve gölge, şakuli ve ufki tezatlar
toplanarak büyük bir hat üzerine, ta uzaklardan görünebilecek bir şekilde
konması sanat noktasında çiftlik için esas bir gaye olarak kabul ve tatbik
edilmelidir.” Egli (1934)
Atatürk Orman Çiftliği, kurulduğu yerin seçiminden, tarım, endüstri,
üretim ve eğlence kurgusuna kadar bütün ayrıntıları ile “modernite
projesi”nin kapsamını ve niteliğini küçük ölçekte tanımlamış, tasarlamış bir
yerleşkedir (1). Ulusal kalkınmadaki başarıyı köylünün eğitimi ve tarımın
iyileştirilmesi önceliğinde arayan anlayışın sonuçlarının sınanacağı bu
çiftlik, geleceğin modern yurttaşını, Atatürk’ün “Türk öğün, çalış, güven”
vecizesi uyarınca yönlendirmeyi amaçlayan bir deneme ortamı yaratır (2).
Tarımla kalkınmaya öncelik veren ve köylere kadar yayılan bu programın
örnek kompleksi olarak Atatürk Orman Çiftliği’ndeki pratik uygulamalar,
Ankara’nın kurak bozkırında yeşil bir vaha, eğlence ve dinlenme ortamı
oluşturur (3).
Modernite projesinin bir modeli olarak Atatürk Orman Çiftliği, yapılı
çevresinin yanında kullanıcılarına ilişkin sosyolojik, ekonomik ve kültürel
bağlamları içeren çok katmanlı bilgiler sunmasına karşın yeterince
araştırılmamıştır. Eldeki çalışmalar, Atatürk Orman Çiftliği’nin daha çok
tarihsel, tarımsal ve iktisadi yönlerini ele almakta, yapılı çevresi ile ilgili
olarak ayrıntılı bir çalışma bulunmamaktadır (4).
Çalışmada, Egli’nin 1934 tarihli Çiftlik Planı ve Raporu ile 1936 yılında
Jansen ile birlikte yaptığı Bira Fabrikası Kompleksi’ne ve çevresine
odaklanan planlama ve bu plan içinde yer alan Egli yapılarının özgün
yazılı ve görsel belgeler ışığında tanıtılması ve değerlendirilmesi
amaçlanmıştır. Egli’nin tasarımı olan bu yapılar, Bira Fabrikası, Memur ve
İşçi Konutları, Hamam, Lokanta ve Ülkü Evi’dir. Bu yapıların, bulunduğu
yerleşkenin bileşenleri olarak işlevleri ve kullanım değerleri, yapıların
dönemleri ile kurdukları ilişki/ilişkisizlik, yapım teknikleri ve nitelikleri,
Erken Cumhuriyet Dönemi’nin çok katmanlı/karmaşık kimliği içindeki
konumları, bu makalenin ana tartışmasıdır.
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