Buradasınız

Anasayfa » Content

Holden Caulfield: The Catcher in the Rye Adlı Romanındaki Yabancı

Holden Caulfield: Alien in The Catcher in the Rye

Journal Name:

  • Dil ve Edebiyat Eğitimi Dergisi

Publication Year:

  • 2012

Key Words:

Keywords (Original Language):

Author NameUniversity of Author
Abstract (2. Language): 
In spite of the frequent critical statement that modern fiction is filled with alienation and estrangement, protagonists of many American novels strive toward a confirmation of both individual honor and social tenacity. Their efforts are frequently undermined by their own vague and unclear objective, defective interpretation, or skeptical escape; but lofty aspiration, strong faith, and vigorous efforts nonetheless demonstrate their heroic standing. Achievement is restrained by susceptibility to modern skepticism, detachment, isolation, and hostility; but heroism does not exist as much in the outcome of their attempts as in the course of struggle against defeat to attest the value of social responsibility, noble ambition, and spiritual maxims. The isolation and detachment of Salinger’s literary characters are generally instigated by an antagonistic or a sickening society; seldom do his characters experience disintegration due to particular flaws which they take no notice of. The descent comes to them naturally. They are often victims, but never instruments of their personal misfortunes. This essay attempts to provide valid explanations to the term “alienation” and pursue the traces of alienation in J. D. Salinger’s novel The Catcher in the Rye. Holden Caulfield, characteristic of an alienated person, opposes everything found in the world of adults and candidly criticizes American culture.
Bookmark/Search this post with
Abstract (Original Language): 
Çağdaş romanın yabancılaşma ve uzaklaşma ile dolu olduğu yönündeki yaygın eleştirel beyana rağmen, bir çok Amerikan romanındaki kahramanlar hem bireysel onur ve hem de sosyal dayanışmanın onaylanması doğrultusunda çalışmaktadırlar. Çabaları çoğu kez kendi muğlak ve belirsiz amaçları, hatalı yorumlamaları, veya kuşkucu kaçmalarıyla baltalanmakta ancak yüksek arzu, güçlü inanç ve etkin çabaları yine de onların kahramanca duruşlarını göstermektedir. Başarı çaşdaş şüphecilik, ayrılma, yalnız bırakma, ve düşmanlığa duyarlılıkla sınırlandırılmıştır; fakat kahramanlık sosyal sorumluluk, asil gaye ve manevi kuralların kanıtlanması adına verilen mücadele sürecinde bulunduğu kadar kendi çabalarının sonuçlarında mevcut değildir. Salinger’in edebi karakterinin yalnız bırakılmaları ve ayrı tutulmaları genel itibariyle düşmanca davranan veya bıktırıcı olan bir toplum tarafından teşvik edilir; karakterleri farkına varmadıkları belirli bir kusur nedeniyle nadiren ayrışma hissederler. Alçalma onlara doğal görünmektedir. Onlar çoğu kez kurbandırlar, fakat hiçbir zaman kendilerinin kişisel talihsizlikerine alet olmamışlardır. Bu makale, “yabancılaşma” kavramının geçerli bir tanımını yapmakta ve J.D. Salinger’in The Catcher in the Rye adlı eserindeki yabancılaşmanın izlerini sürmeye çalışmaktadır. Holden Caulfield, yabancılaşmış bir kişiye özgün olarak, yetişkinlerin dünyasında bulunan herşeye karşı çıkmakta ve Amerikan kültürünü açık yüreklilikle eleştirmektedir.
FULL TEXT (PDF): 
PDF icon arastirmax-holden-caulfield-catcher-rye-adli-romanindaki-yabanci.pdf
  • 2
71-82
  • Turkish

REFERENCES

References: 

Baumbach, J.(1965). “The Saint As A Young Man: The Catcher In The Rye by J.D. Salinger,” in The Landscape in Nightmare: Studies In The Contemporary American Novel. New York: New York University Press.
Brozan, N. (1991,April 27). “J. D. Salinger Receives an Apology for an Award,” New York Times.
Campbell, J.(1990). Transformations of Myth Through Time. Perennial Library.
Cohen, H.I.(1966). “‘A Woeful Agony Which Forced Me to Begin My Tale’: The Catcher in the Rye,” Modern Fiction Studies. Vol.9, No.3, pp.355-366.
Edwards, D.(1977). “Holden Caulfield: ‘Don’t Ever Tell Anybody Anything,’” ELH. Vol.44, No.3, pp.554-565.
Fowler, A.(1957). “Alien in the Rye,” Modern Age, Vol.1, pp.193-197.
Fromm, E. (1990). The Sane Society, Holt Paperbacks.
Goodman, A.(1951). “Mad about Children,” in The New Republic, Vol. 125, No. 3, pp.20-1.
Heiserman, A. and Miller, J. E. Jr. (1999). “J.D. Salinger: Some Crazy Cliff,” in J.D. Salinger’s The Catcher in the Rye. Chelsea House Publications.
Hine, T.(1996). The Rise and Fall of the American Teenager. New York: Perennial.
Jones, E. (1990). “Case History of All of Us,” in Holden Caulfield. Edited by Harold Bloom. Chelsea House Publishers.
Josephson, E & Josephson, M.(1962). Man Alone: Alienation in Modern Society. New York: Dell Publishing Co., Inc.
Kegel, C.(1963). “Incommunicability in Salinger’s The Catcher in the Rye," Studies in J.D. Salinger: Reviews, Essays, and Critiques of The Catcher in the Rye and Other Fiction, edited by Marvin Laser. New York: Odyssey Press, pp.53-6.
Keniston, K.(1965). The Uncommitted: Alienated Youth in American Society. New York: Harcourt, Brace & World.
Laing, R.D. (1983). The Politics of Experience, Pantheon.
Levine, P.(1958). “J. D. Salinger: The Development of the Misfit Hero,” in Twentieth Century Literature Vol. 4, No.3, pp. 92-99.
Longstreth, T. M.(1951). “New Novels in the News,” in Christian Science Monitor. Vol.11.
Lundquist, J. (1979). J.D. Salinger. New York: Frederick Ungar Publishing Co.
Magill, F.N.(1991). Masterpieces of American Literature. New York: Harper Collins Publishers.
Mills, C.W. (2002). White Collar: the American Middle Classes. USA: Oxford University Press.
Mizener, A.(1959). “The Love Song of J.D. Salinger,” in Studies in J.D. Salinger, edited by Marvin Laser and Norman Fruman. New York: Odyssey Press.
Ohmann, C. and Ohmann, R. (1976). “Reviewers, Critics and ‘The Catcher in the Rye,’” Critical Inquiry. Vol.3, No.1. pp.15–37.
Salinger, J.D.(2001). The Catcher in the Rye. Back Bay Books; Reissue edition.
Seeman, M. (1959). “On the Meaning of Alienation,” American Sociological Review. Vol. 24, No.6, pp.783-791.
Steinle, P. H. (2009). “The Catcher in the Rye as Postwar American Fable,” in Bloom’s Modern Critical Interpretations: J. D. Salinger’s The Catcher in the Rye—New Edition. New York: Infobase Publishing.
Dızdar, S. ve Toker, A. (2012). Holden Caulfield: Alien in The Catcher in the Rye. Dil ve Edebiyat Eğitimi
Dergisi, 1(2), 71-82.
82
Steinle, P. H.(1991). “‘If a Body Catch a Body’: The Catcher in the Rye Censorship Debate as Expression of Nuclear Culture,” in Popular Culture and Political Change in Modern America. Edited by Ronald Edsforth and Larry Bennett. Albany: State University of New York Press.
Stevenson, D. (1957). “J.D. Salinger: The Mirror of Crisis,” in The Nation, Vol. 184, No.10, pp.215-17.
Van Bark, B.(1961). “The Alienated Person in Literature,” in American Journal of Psychoanalysis. Vol.21, pp.183-197.
Whitfield, S. (1991). “Cherished and Cursed: Toward a Social History of The Catcher in the Rye,” The England Quarterly. Vol.70.
Williamson, I. and Cullingford, C. (1997). “The Uses and Misuses of ‘Alienation’ in the Social Sciences and Education,” British Journal of Educational Studies. Blackwell Publishing, Vol. 45, No.3, pp. 263-75

Thank you for copying data from http://www.arastirmax.com