Journal Name:
- İstanbul Üniversitesi Tiyatro Eleştirmenliği ve Dramaturji Bölüm Dergisi
Author Name | University of Author | Faculty of Author |
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Abstract (2. Language):
When intercultural theatre is of question one of the first directors to be
remembered is Peter Brook and his play “Mahabbarata” is one of the works which
has been analysed most by the theatre academics.
In the fisrt part of the article the play which was adopted from an Indian epic
by Brook has been evaluated and analysed with a method developed by Patrice Pavis thus, the connection Brook made with religious elements when he was trying to
form a special language which would cover many cultures in theatre has been
traced.
The second part of the article has been focused on some Western scientists
and Indian theatre people; their evaluations and perceptions on Mahabbarata have
been compared, thus an answer to the question “if we could talk about a
postcolonial colonialism on an artistic level” has been seeked.
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Abstract (Original Language):
Peter Brook için, oyunlarının farklı kültürlerde gösterilebilmesi büyük önem
tasımaktadır. Brook her tiyatral geleneğin içinde farklı kültürlerde
anlamlandırılma potansiyeline sahip öğelerin bulunduğu düsüncesinden yola
çıkmaktadır. Brook, farklı gelenek ve kültürlerden gelen, ancak herhangi bir
kültürde tiyatral bir öğe olarak islev görebilen, alımlanabilen ve
yorumlanabilen öğelerden olusan bir tiyatro olusturma çabasındadır.
Brook’un yabancı tiyatro kültürlerine duyduğu ilgi onun “evrensel bir tiyatro
dili” üzerine sürdürdüğü arayısının bir parçasıdır.
FULL TEXT (PDF):
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31-45