Buradasınız

Anasayfa » Content

OSCAR WILDE’IN ZÜPPELERİNİ GİYDİRMEK: MODA VEYA HOMOEROTİK ARZU

DRESSING OSCAR WILDE’S DANDIES: FASHION OR HOMO-EROTIC DESIRE

Journal Name:

  • Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi

Publication Year:

  • 2011

Key Words:

Keywords (Original Language):

Author NameUniversity of AuthorFaculty of Author
Abstract (2. Language): 
Wilde’s marginalised personality showed up itself in all aspects of his life: his living style, his Irishness, his dress, his being homosexual, and continuous rebel against Victorian society. Wilde, dandy himself, opened the way to marginalised personalities like himself. The purpose of this essay is to analyse Wilde’s views on dress, his implication of dress as a reaction to Victorian utility, and dandies who wore costumes as a representation of homosexuality. Wilde defended the cult of strange clothes as a manifestation of individualism and as a symbol of a certain philosophy of life, which consisted of rebellious individualism.
Bookmark/Search this post with
Abstract (Original Language): 
Wilde’ın marjinelleşmiş kişiliği onun hayatının bir çok yönünde kendini göstermiştir: yaşam stili, İrlandalı olması, kıyafetleri, homoseksüel olması ve Viktorya toplumuna karşı daimi olarak isyankar olması. Züppe olan Wilde, kendisi gibi marjinal kişiliklere öncü olmuştur. Bu makalenin amacı, Wilde’ın giyim hakkındaki fikirlerini, onun Viktorya kuruluşuna giyim tarzı şeklinde reaksiyon göstermesini ve homoseksüelliği temsil eden kostümler giyen züppeleri analiz etmektir. Wilde, tuhaf kıyafet modasını bireysel dışavurum olarak görmüş ve onun giyim stili isyankar bireyselliği içeren bir hayat felsefesini simgelemiştir.
FULL TEXT (PDF): 
PDF icon arastirmax-oscar-wildein-zuppelerini-giydirmek-moda-homoerotik-arzu.pdf
  • 1
43-50
  • Turkish

REFERENCES

References: 

P. F. (1991). Oscar Wilde: Eros and Aesthetics, Macmillan, London.
Calloway, S. and David C. (1997). The Exquisite Life of Oscar Wilde, Orion Media, London.
Calloway, S. (1997). “Wilde and the Dandyism of Senses”, The Cambridge Companion to Oscar
Wilde, (Ed: P. Raby), Cambridge UP, Cambridge.
Cohen, E. (1991). “Writing Gone Wilde: Homoerotic Desire in the Closet of Representation,” Critical
Essays on Oscar Wilde, (Ed: R. Gagnier), pp. 68-87, G.K.Hall and Co, New York.
(1993). Talk on the Wilde Side, New York: Routledge.
Dollimore, J. (1988). “Different Desires: Subjectivity and Transgression in Wilde and Gide”,
Genders 2: 24-41.
Duffy, J. C. (2001). “Gay-related Themes in the Fairy Tales of Oscar Wilde”, Victorian Literature
and Culture, pp. 327-349, Cambridge UP.
Ellmann, R. (1987). Oscar Wilde, Hamish Hamilton, London.
Gagnier, R. (ed.) (1991). Critical Essays on Oscar Wilde, G. K. Hall and Co, New York.
(1986). Idylls of the Market Place: Oscar Wilde and The Victorian Public, Scolar, London.
Jullian, P. (1969). Oscar Wilde, (Trans. V. Wyndham), Constable London, London.
Kaplan, J. and Sheila S. (1994). Theatre and Fashion: Oscar Wilde to the Suffragattes,
Cambridge UP, Cambridge.
Laver, J. (1968). Oscar Wilde, Longmans and Green, London.
Low, D. (1977). That Sunny Dome: A Portrait of Regency Britain, Dent and Sons Ltd, London,
Melbourne, Toronto.
Marcus, S. (1966). The Other Victorians, Marcuse, H. (1955). Eros and Civilization, Vintage, New
York.
Mccormack, J. (1994). “Oscar Wilde: The Once and Future Dandy”, Rediscovering Oscar Wilde,
(Ed: C. G. Sandulescu), Colin Symthe, Buckinghamshire.
(1998). “The Wilde Irishman: Oscar as Aesthete and Anarchist”, Wilde the Irishman, (Ed. J.
McCormack), Yale U. P, New Haven and London.
Murphy, P. (1998). “A Statue of Oscar Wilde,” Wilde the Irishman, (Ed: J. Mc Cormack), Yale U.P,
New Haven.
Nassar, C. S. (1974). Into the Demon Universe: A Literary Exploration of Oscar Wilde, Yale U.P,
New Haven-London.
Pearson, H. (1947). The Life of Oscar Wilde, 3rd , (Ed. Methuen P.), London.
Raby, P. (Ed.) (1997). The Cambridge Companion to Oscar Wilde, Cambridge U.P, Cambridge.
Ross, R. (Ed.) (1993). The Collected Works of Oscar Wilde: Miscellanies, Vol. XIV, Routledge /
Thoemmes Press, London.
Said, E. (1978). Orientalism, Vintage, New York.
Schmidgall, G. (1994). The Stranger Wilde: Interpreting Oscar, Abacus, London.
Wilde, O. (1966). The Complete Works of Oscar Wilde, (Ed: V. Holland), Collins, London.
(1980). The Works of Oscar Wilde: A House of Pomegranate, The Happy Prince and
Other Tales, New York: Lamb Pub.
Wimsatt, W. K. Jr. and C. Brooks (1970). “Art for Art’s Sake,” Literary Criticism III. Romantic
Criticism: A Short History, Routledge and Kegan Paul, London.
Winchell, J. (1991). “Wilde and Huysmans: Autonomy, Reference, and the Myth of Expiation”,
Critical Essays on Oscar Wilde, (Ed: R. Gagnier), G. K. Hall and Co, New York.
Woodcock, G. (1989). “The Aesthetic Clown and the Creative Critic,” Oscar Wilde: The Double
Image, Black Rose Books, New York.

Thank you for copying data from http://www.arastirmax.com