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Chopin’in “Fantasie-İmpromptu”nun (Op. Posth. 66) Formal ve Armonik Bakımdan Analizi

The Analysis of Fantasie Impromptu (Op. Posth. 66) in Terms of Structural and Harmonical Study on Chopin’s Fantasie Impromptu

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Abstract (2. Language): 
In this article, Chopin's Fantasie-Impromptu (Op. Posth.66) has been analyzed both structually and harmonically. Fantasie-Impromptu, is one of the most performed piece among Chopin's other works and the major beauty is because it is based on a balanced form. In this piece, each section is separated into sub-sections and outlined schematically. This study will absolutely make the pianists to perform this piece more consciously and needless to say, gain the ability and be able to carry out and express what the composer's conception was.
Abstract (Original Language): 
Bu çalışmada Frederic Chopin’in Fantasie-İmpromptu (Op. Posth. 66) isimli eseri formal ve armonik bakımdan incelenerek analiz edilmiştir. Chopin’in en çok seslendirilen eserleri arasında yer alan Fantasie-Impromptu’nun güzelliklerinden bir tanesi de dengeli bir form yapısı üzerine kurulmuş olmasından ileri gelmektedir. Eser kendi içerisinde bölmelere ayrılarak incelenmiş ve bu inceleme şematik olarak açıklanmıştır. Bu türlü incelemeler eseri seslendiren piyanistlerin eseri çok daha bilinçli olarak seslendirmelerini ve bestecinin düşündüğünü en iyi biçimde ifade edebilme becerisi kazandıracaktır.
121-126

REFERENCES

References: 

Stein, Leon. (1979). The Study and Analysis of Musical Forms. U.S.A: Summy-Birchard Inc.
Eigeldinger, Jean-Jacques. (1989). Chopin;Pianist and Teacher. Cambridge University Press
Spencer, Peter – Temko, Peter M. (1994). Practical Approach to the Study of Form in Music. Waveland Pr Inc.
Caplin, William E - Webster, James. (2009). Musical Form, Forms and MusikLehre; Three Methodologicial Reflections. Leuven University Press
Berry, Wallace. (1987). Structural Functions in Music. Dover Publications
Editor: Zimmermann, Ewald – Theopold, Hans M. (1974). Chopin Impromtus

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