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Chopin’in G Bemol Majör Impromptu’nun (Op. 51) Piyano Eğitimi Açısından Biçimsel ve Armonik Analizi

The Analysis of G Flat Major Impromptu (Op.51) in Terms of Structural And Harmonical Study on Chopin’s Fantasie Impromptu

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Abstract (2. Language): 
Op.51 G flat Major Impromptu of Frederick Chopin. This piece is frequently taken up at piano classes and also most of the pianists have this piece in their repertoire. It is important for performers to have an idea on armony and formal structure in order to gain different advantages and interpretations. Main scope of this study is to take up Chopin's Impromtu in terms of harmony and formal structure and better understand Chopin’s inner world. It will also contribute to the better understanding of Chopin's music and will provide different perspectives for performers.
Abstract (Original Language): 
Bu çalışmanın amacı, Frederick Chopin'in Sol Bemol Majör İmpromtu (Op. 51) eserinin yapısal ve armonik kurgusunu, yapılan analizler doğrultusunda daha iyi anlayabilmektir. Örneklerde gösterilen detaylar, piyanistlerin eserin yapısı üzerinde daha bilinçli düşünmelerini ve yorumlamalarına daha özgün ifadeler katmalarına olanak sağlayacaktır. Çalışmada örnekler eşliğinde yapı ve armonik çözümleme detaylı olarak yapılmıştır.
127-134

REFERENCES

References: 

Berry, Wallace. (1966). Form In Music. New Jersey Prentice Hall, Inc.
Stein, Leon. (1979). The Study and Analysis of Musical Forms. U.S.A: Summy-Birchard Inc.

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