Buradasınız

ÇALGI EĞİTİMİNDE ÖĞRENCİ MOTİVASYONU VE PERFORMANS

STUDENT PERFORMANCE AND MOTIVATION IN INSTRUMENT EDUCATION

Journal Name:

Publication Year:

Keywords (Original Language):

Author NameUniversity of Author
Abstract (2. Language): 
The purpose of this research is to investigate the opinions of music instrument teachers about student motivation and performance in instrument education. The sample consists of 6 teachers giving lessons on several instrument branches. It was aimed to diversify the sample about demographic characteristics. The study is qualitative. The data was collected by using semi-structured interview technique. In data analysis descriptive analysis technique was used. It was seen that the teachers had a negotiation in the opinions that student teacher communication, empathy and treating every student differently is important about student performance and motivation. And it was seen that they attribute student success in instrument performance to students’ ability, practice, decisive personality and so many other factors.
Abstract (Original Language): 
Bu araştırmada çalgı öğretmenlerinin çalgı eğitiminde öğrenci motivasyonu ve performansına yönelik görüşlerinin ortaya çıkarılması amaçlanmıştır. Araştırmanın katılımcıları Antalya’da çeşitli branşlarda çalgı dersleri veren 6 öğretmenden oluşmuştur. Katılımcıların seçilmesinde çaldıkları çalgı, cinsiyet, çalıştıkları kurum ve mezun oldukları okul türü açısından çeşitlilik göstermeleri koşulu aranmıştır. Araştırma nitel bir çalışmadır. Bu doğrultuda veriler yarı yapılandırılmış görüşme tekniği ile toplanmıştır. Elde edilen verilerin çözümlenmesinde betimsel analiz tekniğinden yararlanılmıştır. Araştırma sonuçlarında görüşmeye katılan öğretmenlerin her birinin çalgı eğitiminde motivasyon ve performans konusunda öğrenci-öğretmen iletişimi, öğrenci ile empati kurabilme ve her öğrenciye farklı yaklaşımlarda bulunabilme konularında birbirleri ile örtüşen söylemlerde bulundukları, öğrencilerin çalgılarında başarılarını ise yetenek ve çalışma, kararlı bir kişiliğe sahip olma gibi kişisel özellikler başta olmak üzere bir çok farklı nedene bağladıkları görülmüştür.
320-331

REFERENCES

References: 

Boucher, H., & Ryan, C. A. (2011). Performance stress and the very young musician. Journal of Research in Music Education, 58(4), 329-345.
Broomhead, P., Skidmore, J. B., Eggett, D. L., & Mills, M. M. (2012). The Effects of a Positive Mindset Trigger Word Pre-Performance Routine on the Expressive Performance of Junior High Age Singers. Journal of Research in Music Education, 60(1), 62-80.
Csikszentmihalyi M. (1990). Flow. New York: Harper &Row.
Eccles J.S., Wigfield, A., ve Schiefele, U. (1998). Motivation to Succeed. N. Eisenberg(Edt.) Handbook of Child Psychology: Social, Emotional And Personality Development, 1017–1095, New York: Wiley.
Gabrielsson A. (1999). The performance of music. D. Deutsch (Ed.), The psychology of music (501-602). California:Academic Press.
Henninger, J. C. (2008). The Effects of Performance Quality Ratings on Perceptions of Instrumental Music Lessons. Update: Applications of Research in Music Education, 27(1), 9-16.
Henry, M. L. (2008). The use of specific practice and performance strategies in sight-singing instruction. Update: Applications of Research in Music Education, 26(2), 11-16.
Hewitt, M. P. (2011). The impact of self-evaluation instruction on student self-evaluation, music performance, and self-evaluation accuracy. Journal of Research in Music Education, 59(1), 6-20
Howard, S. A. (2012). The Effect of Selected Nonmusical Factors on Adjudicators’ Ratings of High School Solo Vocal Performances. Journal of Research in Music Education, 60(2), 166-185.
329
Eğitim ve Öğretim Araştırmaları Dergisi
Journal of Research in Education and Teaching
Mayıs 2013 Cilt:2 Sayı:2 Makale No:35 ISSN: 2146-9199
Juslin & Sloboda (2008). Music and emotion, theory and research. Great Britain: Oxford University Press.
Krampe R.T. ,Ericsson K. A. (2005). Deliberate practice and elite musical performance. John Rink (Ed.) The practice of performance studies in musical interpretation. UK: Cambridge University Press (84-102).
Latimer, M. E., Bergee, M. J., & Cohen, M. L. (2010). Reliability and perceived pedagogical utility of a weighted music performance assessment rubric. Journal of Research in Music Education, 58(2), 168-183.
Lehmann, A. C., Sloboda, J. A., & Woody, R. H. (2007). Psychology for musicians: Understanding and acquiring the skills. USA: Oxford University Press,
Mursell,J.L. (1971). The psychology of music. Wesrport, CT:Greenwood Press.
Napoles, J. (2009). The Effects of Score Use on Musicians’ Ratings of Choral Performances. Journal of Research in Music Education, 57(3), 267-279.
Özmenteş, S. (2007). Çalgı çalışma sürecinde özdüzenlemeli öğrenme ile duyuşsal özellikler ve performans düzeyi ilişkileri. Doktora tezi, Dokuz Eylül Üniversitesi Eğitim Bilimleri Enstitüsü, İzmir.
Özmenteş, S. (2012). Çalgı eğitiminde güdü ve performans ilişkisi. Çağdaş Eğitim Dergisi Akademik, (2), 47-56.
Ryan, C., & Andrews, N. (2009). An investigation into the choral singer's experience of music performance anxiety. Journal of Research in Music Education, 57(2), 108-126.
Smith, D. T. (2009). Development and validation of a rating scale for wind jazz improvisation performance. Journal of Research in Music Education, 57(3), 217-235.
Sichivitsa, V. O. (2007). The influences of parents, teachers, peers and other factors on students' motivation in music. Research Studies in Music Education, 29(1), 55-68.
Silvey, B. A. (2009). The effects of band labels on evaluators’ judgments of musical performance. Update: Applications of Research in Music Education, 28(1), 47-52.
Silvey, B. A. (2011). The Effect of Ensemble Performance Quality on the Evaluation of Conducting Expressivity. Journal of Research in Music Education, 59(2), 162-173.
Silverman, M. J. (2009). The Effect of Positive Peer Reinforcement on Psychological Measures and Guitar Songleading Performance in University Students. Update: Applications of Research in Music Education, 28(1), 3-8.
Sloboda J.A. (1982). Music performance. D. Deutsch (Ed.), The psychology of music (479-496). New York: Academic Press.
Stambaugh, L. A., & Demorest, S. M. (2010). Effects of practice schedule on wind instrument performance: A preliminary application of a motor learning principle. Update: Applications of Research in Music Education, 28(2), 20-28.
Taborsky, C. (2007). Musical performance anxiety: A review of literature. Update: Applications of Research in Music Education, 26(1), 15-25.
Teachout, D.J. (1997). Pre-service and experienced teachers’ opinions of skills and behaviors important to successful music teaching. Journal of Research in Music Education,45 (1), 41-50.
330
Eğitim ve Öğretim Araştırmaları Dergisi
Journal of Research in Education and Teaching
Mayıs 2013 Cilt:2 Sayı:2 Makale No:35 ISSN: 2146-9199
Topoğlu, O. (2013). Müzisyenlerde sahne korkusu, sahne korkusunun nedenleri ve sahne korkusu ile baş etmede kullanılabilecek stratejiler, E-Journal of New World Sciences Academy, 8, (1), 43-55.
Weiner, B. (1986). An Attributional Theory of Motivation and Emotion. New York:Springer.

Thank you for copying data from http://www.arastirmax.com