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Politicis, Drama and Theatre in Sixteenth Century England

Journal Name:

  • Hacettepe Üniversitesi Edebiyat Fakültesi Dergisi

Publication Year:

  • 2005

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Abstract (2. Language): 
It is widely known that the theatre underwent a great transformation in its function and practice from the time of Henry VIII to that of James I. While on the one hand it continued to be an institution of public entertainment, on the other, it turned into a political means by which the religious policies and practices of the state were promoted. During this period, the theatre companies found themselves in the middle of a power struggle between the Church, the City authorities and the Court. Consequently, this theatre as a metropolitan organization, for all the forcefulness and vitality it displayed, was essentially conformist in its tone since it helped to reinforce the dominant order reflecting the values of the state.
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Abstract (Original Language): 
16. yüzyı l İngiltere'sinde VIII. Henry döneminden I. James dönemine kadar olan süreç içerisinde tiyatronun fonksiyon ve kullanılış yönünden büyük bir değişim geçirdiği bir gerçektir. Bu dönem içerisinde tiyatro bir eğlence kurumu kimliğini sürdürmesinin yanı sıra devletin din politikasını yaymak için kullandığı politik bir araç haline de gelmiştir. Dolayısıyla, bu dönemde tiyatro grupları kendilerini kilise, şehir otoriteleri ve saray üçgeninde geçen bir güç savaşının ortasında bulmuşlardır. Bunun sonucu olarak da, bir anakent organizasyonu olan tiyatro, sahip olduğu bütün canlılığa rağmen, egemen düzeni koruyup devletin değerlerini yansıtmasından dolayı egemen düzene itaatkâr bir içeriğe sahip olmuştur.
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