Buradasınız

Antonio Muñoz Molina’nın El Invierno En Lisboa Adlı Romanında “Medyalararasılık

Journal Name:

Publication Year:

Author NameUniversity of AuthorFaculty of Author
Abstract (2. Language): 
The present article aims to explore the intermediality between literature and other communicative mediums such as music, cinema, drama, and other audiovisiual culture, which have been deployed in various Spanish novels written from the 19th, century onward. As a representative Spanish novelist of the 1980s, Antonio Muñoz Molina, the National Critics Award and the National Literature Award laureate, gives a distinguished example of the use of the intermediality in his novel El Invierno en Lisboa. What follows is an inquiry into Muñoz Molina’s adeptness in using the concept of intermediality in this text, and his exploration of his characters’ and the text’s references to cinema and music through his experimental narrative technique. However, this study arrives at the conclusion that the function of the narrator that which is determined by the intermediality through Muñoz Molina’s text ultimately obscures the author’s primary purport to achieve the realistic effect in his text
FULL TEXT (PDF): 
27-45

REFERENCES

References: 

Doane, Mary Ann. Femmes Fatales: Feminism, Film Theory, Psychoanalysis (New
York: Routledge, 1991).
Faulstich, Werner. Grundwissen Medien. (München: Wilhelm Fink Verlag, 1995).
Ibáñez de Ehrlich, María Teresa. “La música, motivo constitutivo de la trama amorosa
de El invierno en Lisboa, de Antonio Muñoz Molina,” Actas del XII Congreso de
la Asociación International de Hispanistas, 21 -26 Ağustos 1995, Vol. V
(Birmingham: Época Contemporánea, 1995).
Irwin, William “Against Intertextuality,” Philosophy and Literature, 28: 2 (2004) ss.
227- 242.
Larrea, Ana Carlota. The Use of Film in the Postmodern Fiction of Peter Handke,
Robert Coover, Carlos Fuentes and Antonio Muñoz Molina. Ph.D. diss. Penn
State University (1991).
Martín Gaite, Carmen. “El ladrón de imagenes,” Saber Leer 56 (1992): ss. 5- 6.
Martín Gil, Juan Francisco. “El que habita en la oscuridad: entrevista con Antonio
Muñoz Molina,” Revista de Literatura 50 (1988)
Muñoz Molina, Antonio. El Invierno en Lisboa. (Barcelona: Ed. Seix Barral, 1987).
_______ Pura. (Madrid: Alfaguara, 1998).
_______ “El jazz y la ficción,” Revista de Occidente 93, (1989) ss. 21- 27.
Mira, Alberto. “Transformations of the Urban Landscape in Spanish Film Noir,” Spaces
in European Cinema, ed. Myrto Konstantarakos (Exeter: Ed. Intellect, 2000), ss.
124- 136.
Navajas, Gonzalo. “Intertextuality and the reapproriation of history in contemporary
Spanish fiction and film”, Intertextual Pursuits: Literary Mediations in Modern
Spanish narrative (London: Bucknell University Press, 1988) ss.143- 160.
Oropesa, Salvador A. La novelistica de Antonio Muñoz Molina: sociedad civil y
literatura lúdica (Jaén: Ed. Universidad de Jaén, 1999)
Place, Janey. “Women in Film Noir” Women in Film Noir, Ed. E. Ann Kaplan,
(London: British Film Institute, 1998), ss. 47- 63.
Rajewsky, Irina. Intermedialität. (Tübingen u. Basel: Francke, 2002).
Rich, Lawrence. “The Narrative of Antonio Muñoz Molina: Identifying with One’s
Public.” The Seventeenth Louisiana Congerence on Hispanic Languages and
Rieger Angelica (ed.) Intermedialidad e hispanística. (Frankfurt am Main: Peter Lang,
2003)
Rodríguez Rivero, Manuel. “Lisboa: Blanca e Imaginada”, Cuadernos Cervantes de la
Lengua Española 10, Eylül-Ekim (1996).
Salabert, Juana. Entrevista con Antonio Muñoz Molina, El País, 27 Mayıs 1987.
Sanz Villanueva, Santos. “La novela”, Francisco Rico, Historia y Crítica de la
Literatura Española. Darío Villanueva y otros, Los nuevos nombres: 1975- 1990
(Barcelona: Crítica, 1992) ss. 249- 284
Yang, Chung-Ying. “Un acercamiento a la representación de la mujer transgresora: Las
femmes fatales en El Invierno en Lisboa y Beltenebios de Antonio Muñoz
Molina,” Hispania 3 (Los Ángeles, 2005), ss.476- 478.
Literatures, (Luisiana: Luisiana State UP, 1996)

Thank you for copying data from http://www.arastirmax.com