You are here

Home » Content

Modern Kültürde Hastalık ve Ölüm: Şimdi’ye ve Sonsu-zluk’a Dair

Disease and Death in the Modern Culture: On Now and Eternity

Journal Name:

  • Beytulhikme An International Journal of Philosophy

Publication Year:

  • 2016

Key Words:

Keywords (Original Language):

Author NameUniversity of AuthorFaculty of Author
Abstract (2. Language): 
This paper is basically about nowism as a representation of modernity rather than a temporal fragment, about cancer as philosophical reference rather than as a biological illness, and about death as constructive value rather than as a destructive expe-rience. All these representation-loaded concepts are dealt with through the story of Tessa, the protagonist in the film Now is Good (2012). In the liquid modernity, on the one hand nowist orienta-tions, tendencies and acts are wryly reduced to a cliché: “Carpe di-em” (seize the day) and on the other hand temporal uncertainty of death implies the essential principle of “memento mori” (remem-ber you will die) or “Mutu qabla an tamutu” (die before you die). The now is, as a worldview beyond a temporality, not merely good, but perhaps the God of the modern society. However, deadly can-cer, which is an uninvited guest, nullifies this modern doctrine that commercializes the now as eternity and immortality itself. Cancer that marks death and the sense of chaos what cancer stirs are an-tithesis and perhaps antidote of the liquid modernity. This paper, for the very reason, unexpectedly affirms death while criticising the nowist culture.
Bookmark/Search this post with
Abstract (Original Language): 
Bu çalışma temelde zamansal fragmandan çok modernitenin temsili olarak şimdicilik, biyolojik hastalıktan çok felsefi gönderme olarak kanser ve yok edici bir deneyimden çok yapıcı değer olarak ölümle ilgilidir. Tüm bu temsil-yüklü kavramlar, Now is Good (2012) filminin başkarakteri olan Tessa’nın hikayesi üzerinden ele alın-maktadır. Akışkan modernitede, bir yandan şimdici yönelimler, eğilimler ve eylemler çarpık bir şekilde “Carpe diem!” (an’ı yaşa), klişesine indirgenirken, öte taraftan ölümün zamansal belirsizliği “Memento mori” (öleceğini hatırla!) veya “Mutu qabla an tamutu” (ölmeden önce öl) kadim prensibini ima eder. Zamansallığın öte-sinde bir dünya görüşü olarak “şimdi”, modern toplumun sadece iyi olan tarafı değil, belki de tanrısıdır. Oysa, davetsiz misafir olan öl-dürücü kanser, şimdi’yi sonsuzluğun ve ölümsüzlüğün kendisi ola-rak pazarlayan modern doktrini ters köşe yapar. Ölümü mimleyen kanser ve kanserin uyandırdığı kaos duygusu, akışkan modernitenin antitezi, belki de panzehridir. Bu çalışma, tam da bu sebeple, şimdi-ci kültürü eleştirirken, beklenmedik şekilde ölümü olumlamaktadır
FULL TEXT (PDF): 
PDF icon arastirmax-modern-kulturde-hastalik-olum-simdiye-sonsu-zluka-dair.pdf
  • 1
287
305
  • Turkish

REFERENCES

References: 

Ariés, P. (2015). Batı`da Ölümün Tarihi. İstanbul: Everest Yayınları.
Baudrillard, J. (1990). Seduction. Montréal: New World Perspectives Culture-Texts Series.
Baudrillard, J. (1993). The Transparency of Evil: Essays on Extreme Phenomena. London and New York: Verso.
Bauman, Z. (1992). Mortality, Immortality and Other Life Strategies. Cambridge and Oxford: Polity Press.
Bauman, Z. (2001). The Individualized Society. Cambridge, Oxford and Malden: Polity Press.
Bauman, Z. (2009). Does Ethics Have a Chance in a World of Consumers? Cambridge and London: Harvard University Press.
Beck, U. (1992). Risk Society: Towards a New Modernity. London, Thousand Oaks and New Delhi: Sage Publications.
Bergman, I. (Director). (1973). Cries & Whispers [Motion Picture]. Cinematograph AB and Svenska Filminstitutet.
Bertman, S. (1998). Hyperculture: The Human Cost of Speed. Westport: Praeger Pub-lishers.
Boone, J. (Director). (2014). The Fault in Our Stars [Motion Picture]. Fox 2000 Pictures, Temple Hill Entertainment, TSG Entertainment.
Brooks, J. L. (Director). (1983). Terms of Endearment [Motion Picture]. Paramount Pictures.
Cancer Research UK (2015). Worldwide Cancer Statistics. Retrieved June 1, 2015,
from http://www.cancerresearchuk.org/health-professional/cancer-statistics/wo...
Casetti, F. (1999). Theories of Cinema: 1945-1995. Austin: University of Texas Press.
Cassavetes, N. (Director). (2009). My Sister’s Keeper [Motion Picture]. Curmud-geon Films, Gran Via Productions, Mark Johnson Productions.
Chul-Han, B. (2015). The Burnout Society. Stanford: Stanford University Press.
Coixet, I. (Director). (2003). My Life without Me [Motion Picture]. El Deseo, Milestone Entertainment.
Columbus, C. (Director). (1998). Stepmom [Motion Picture]. TriStar Pictures, 1492 Pictures.
Demir, S. T. (2015). Cinematic Istanbul: The Strangers of the Modern City. (Unpublis-hed PhD. dissertation). Lancaster University, Lancaster, United Kingdom.
Downham, J. (2007). Before I Die. Oxford: David Fickling Books.
Foucault, M. (2003). Society Must be Defended: Lectures at the College de France, 1975-76. New York: Picador.
Freud, S. (1916). On Transience. The Standard Edition of the Complete Psychological Works of Sigmund Freud, 14, 303-307.
Furedi, F. (2006). Culture of Fear: Risk-Taking and the Mortality of Low Expectation. New York, Continuum.
Han, B. C. (2015). The Burnout Society. Stanford: Stanford University Press.
Heidegger, M. (1962). Being and Time. Malden, Oxford and Victoria: Blackwell Publishing Ltd.
Horwitz, T. (1998). My Death. In Malpas, J., and Solomon, R. C. (Eds.), Death and Philosophy (pp.5-15). Oxon and New York: Routledge.
Kellehear, A, (2007). A Social history of dying. Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo: Cambridge University Press.
Kierkegaard, S. (1941). The Sickness unto Death. New Jersey: Princeton University Press.
Kübler-Ross, E. (1986). Death: The Final Stage of Growth. New York: Touchstone.
Launing, K. (Director). (2014). Cool Kids don’t Cry [Motion Picture]. Cinenord Spillefilm.
Levine, J. (Director). (2011). 50/50 [Motion Picture]. Summit Entertainment,
Mandate Pictures, Point Grey Pictures.
Nuland, S. B. (1994). How We Die: Reflections of Life’s Final Chapter. New York: Alfred A. Knopf, Inc.
O’Connor, P. (Director). (2001). Sweet November [Motion Picture]. Warner Bros., Bel Air Entertainment, 3 Arts Entertainment.
Parker, O. (Director). (2012). Now is Good [Motion Picture]. Goldcrest Pictures, BBC Films, Blueprint Pictures, Lipsync Productions, UK Film Council.
Reiner, R. (Director). (2008). The Bucket List [Motion Picture]. Warner Bros, Zadan/Meron Productions, Two Ton Films, Storyline Entertainment.
Rejon, A. G. (Director). (2015). Me and Earl and the Dying Girl [Motion Picture]. Indian Paintbrush.
Rubin, B. J. (Director). (1993). My Life [Motion Picture]. Capella Films, Columbia Pictures Corporation, Zucker Brothers Productions..
Rustom, M. (2007). Psychology, Eschatology, and Imagination in Mulla Sadra Shirazi’s Commentary on the Hadith of Awakening. Islam and Science, 5, 9-22.
Sağır, A. (2014). Ölüm Sosyolojisi. Ankara: Phoenix Yayınevi.
Saramago, J. (2008). Death with Interruptions. Florida: Harcourt Publishing Com-pany.
Sartre, J. P. (1969). The Wall and Other Stories. New York: New Directions.
Schumacher, J. (Director). (1991). Dying Young [Motion Picture]. Fogwood Films, Twentieth Century Fox Film Corporation.
Shankman, A. (Director). (2002). A walk to remember [Motion Picture]. Warner Bros., Pandora Cinema, DiNovi Pictures, Gaylord Films.
Simmel, G. (1971). On Individuality and Social Forms. Chicago and London: The University of Chicago Press.
Sontag, S. (1978). Illness as Metaphor. Farrar, Straus and Giroux, New York.
Turner, B. S. (1995). Medical Power and Social Knowledge. London, Thousand Oaks and New Delhi: Sage Publications.
Winkler, I. (Director). (2001). Life as a House [Motion Picture]. Winkler Films.
Wright, F. L. (1958). The Living City. New York: Horizon Press.
Žižek, S. (2010) Sunuş: Toplumun Kalbindeki Film. In Filmlerle Sosyoloji, B. Diken and C. B. Laustsen. Metis: Istanbul.

Thank you for copying data from http://www.arastirmax.com