Journal Name:
- İstanbul Üniversitesi Tiyatro Eleştirmenliği ve Dramaturji Bölüm Dergisi
| Author Name | University of Author |
|---|---|
Abstract (2. Language):
This paper examines Dionysos the wine God, his presence in person in the form of a
mask and puts forwards the close relaxion of dionysos and the Mask.
Dionysos, allthough he is best known as the God of wine he is also a vegetation
diety. He is also associated with tree, ivy and fruits.
According to the mythos of his death and rebirth his divine essence carries a duality
of life element and element of death. This duality reflects to the Dionysiac rituels
through the mask which somehow replaces the god himself.The duality of Dionysiac spirit could be closely examined in the incarnate presence
of which is remote, the shattering encounter with the irrevocable, the close
confluence of life and death. The, dramatic worshipping performances gradualy turn
to entertainments and the sucred mask left the stage to the favour of Greek theatre
masks.
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Abstract (Original Language):
Taklit ve kisilik değistirme eğilimi, ilksel insanın avının kılığına girmesi ve
avlanma öyküsünü anlatma çabalarıyla baslar. Maskenin ilk örneklerinin de bu
çabayla birlikte ortaya çıktığı görülür. Đlkin çesitli kültlerde yapılan dinsel törenlerde
rahip konumundaki kisi ya da kisilere kutsal bir kimlik kazandırma amacıyla
yüzlerinin bitkisel boyalar, is gibi maddelerle boyanması, maskeyi önceleyen bir
anlayısın göstergesidir.
FULL TEXT (PDF):
- 5
61-70