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KÜLTÜREL MİRAS KAPSAMINDA EDEBİYAT TURİZMİ DENEYİMİ: SAİT FAİK ABASIYANIK’IN İZİNDE OTOETNOGRAFİK BİR ÇALIŞMA

LITERARY TOURISM EXPERIENCE AS PART OF CULTURAL HERITAGE: AN AUTOETHNOGRAPHIC STUDY IN THE FOOTSTEPS OF SAIT FAIK ABASIYANIK

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DOI: 
http://dx.doi.org/10.7827/TurkishStudies.12404
Author NameFaculty of Author
Abstract (2. Language): 
Literary tourism refers to trips to actual places in the museum context where authors were born, lived, wrote their works; to places associated with fictional characters in authors’ works or to destinations that have become popular due to literary figures. Especially houses where authors were born, spent a part of their lives and used as a work area are highly attractive sites in terms of literary tourists seeking authenticity, nostalgia and a connection with the author. The trips to these actual houses are also part of the cultural heritage experience. This study discusses literary places experience to actual places within cultural heritage with an autoethnographic approach. By using autoethnography which is defined as a method of describing personal experience in order to understand the cultural experience, the effect of museum interpretation forms, authenticity, literary awareness and other literary place characteristics on literary tourism experience is discussed in the study. For this purpose, Sait Faik Abasıyanık Museum in Burgazada, İstanbul where Sait Faik lived, wrote many of his works and where has been operated as a museum house since 1959 was chosen as research area. The most important result of the study is the concepts of interpretation forms, authenticity, nostalgia, literary awareness, emotional connection with the author are related to each other for literary places but the most important concept is interpretation forms. The selected interpretation forms influence the other concepts positively or negatively and are determinative in the ultimate experience of literary tourists.
Abstract (Original Language): 
Edebiyat turizmi, yazarların doğduğu, yaşadığı, eserlerini kaleme aldığı müze statüsündeki gerçek mekanlara; yazarların eserlerindeki kurgusal karakterlerle bağlantılı yerlere ya da edebi figürlerden dolayı popüler hale gelmiş destinasyonlara yapılan seyahatleri ifade etmektedir. Özellikle yazarların doğduğu, hayatlarının bir kısmını geçirdiği ve çalışma alanı olarak kullandıkları evler otantiklik, nostalji ve yazarla bir bağlantı kurmak arayışında olan edebiyat turistleri için oldukça çekici mekanlardır. Yazarla bağlantılı bu gerçek mekanlara yapılan seyahatler kültürel miras deneyiminin de bir parçası olmaktadır. Bu çalışma, kültürel miras kapsamındaki gerçek mekanlara yönelik edebi mekan deneyimini otoetnografik bir yaklaşımla ele almaktadır. Kültürel deneyimi anlamak amacıyla kişisel deneyimin betimlendiği bir yöntem olarak tanımlanan otoetnografiyi kullanarak çalışmada, müze yorumlama biçimlerinin, otantikliğin, edebi farkındalığın ve diğer edebi mekan özelliklerinin edebiyat turizmi deneyimi üzerindeki etkisi tartışılmıştır. Bu amaçla araştırma alanı olarak, Sait Faik Abasıyanık’ın yaşadığı, pek çok eserini kaleme aldığı ve 1959’dan bu yana müze ev statüsünde hizmet veren İstanbul Burgazada’daki Sait Faik Abasıyanık Müzesi seçilmiştir. Çalışmadan çıkan en önemli sonuç yazarla bağlantılı gerçek mekanlar açısından yorumlama biçimleri, otantiklik, nostalji, edebi farkındalık, yazarla kurulan duygusal bağlantı gibi kavramların birbirleriyle bağlantılı olduğu ancak bunların içinde en önemlisinin yorumlama biçimleri olduğudur. Edebi bir mekanda seçilen yorumlama biçimleri diğer kavramları da olumlu ya da olumsuz şekilde etkileyerek edebiyat turistinin nihai deneyiminde belirleyici olmaktadır.
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