“ZAMANA ADANMIŞ SÖZLER”DE SEVGİLİ METAFORUNUN YAPISÖKÜMÜ

In this article, the metaphor of beloved in the poem of Sezai Karakoç called “Zamana Adanmış Sözler”will be studied by the help of deconstruction technique. When examined by the method of reading text which is based on volatility of meaning, it is emerged that the metaphor of beloved, which can be considered in different meanings, shows only a single meaning while examining in the context of Islamic art and aesthetics. Deconstructiontechnique andindicator of beloved in the poem face shift in meaning as Istanbul, civilization, the idea ofresurrection, the human beloved,the prophet sometimes as God or imagine. Beloved indicator in the text always displaces so meaning cannot be captured. According to deconstruction, that the meaning infinitely diversified and not be captured is normal. However, Islamic aesthetics has a substantial truth concept especially while looking poetic attitude of Classical poem and all of small-scale meanings show only one meaning. Thismeaning is "tevhid", in other word it is the ideaof unity of God. The theme which can be considered as the main theme of Sezai Karakoç’s poem is appeared not only in the indicator of beloved but in the perception of the time and place. He studies time as a single piece. Much information comes from Adem to now is studied by him the outstanding examples of Islamic civilization without caring about chronological and linear line. The appearance of beloved type such as Suna, Leyla, Züleyha, Meryem refers to divers times of Islamic civilization. Place is studied as time. In Karakoç’s poem, place is studied in terms of summit cities which is the ability to represent of Islamic civilization. Damascus, Mecca, Baghdad or Istanbul is cities which refer to the intellectual geograph and the historical background of Islamic civilization.