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THOUGHTS ON VISITING THE CITADEL, ANKARA: after the discussion on the Team 10 way of thinking

INTERVIEW WITH ALISON AND PETER SMITHSON

Journal Name:

  • Orta Doğu Teknik Üniversitesi Mimarlık Fakültesi Dergisi

Publication Year:

  • 1989

Key Words:

Keywords (Original Language):

Author Name
Abstract (2. Language): 
BG: Alison and Peter, the fifties mark a milestone, a turning point maybe in world architecture and you played an important role as a member of Team 10. What sort of impacts did Team 10 have from the fifties onwards? AS: I don't honestly think I can judge that and I am not sure that anybody can. I am very nervous of thinking too much in the past; partly because the inherited cast of mind of the Scottish person is very conscious of the past and therefore it's something I have, in a way, to protect myself against. And we get asked for a lot of archival material and if it gets more than two and a half days a week that I have to fish something out of the archives or remember something (because now we are getting a lot of questions on the fifties, questions on the sixties are beginning) you feel you are running a mortician's parlor: I would much prefer to just react to what is outside, now. BG: The reactions you put forth against CIAM's understanding of the separation of functions, let us say emphasis on more greenery and light, rather than identity and association, are still being advocated by many of the (I should not say schools) but many of the recent urban design ideas. I have a certain feeling (of course, as I insist I am a man outside the events) so looking at it from the outside, that from the fifties on, there was a transformation in the field of architecture and urban design and I would suggest that many of the ideas which are here now, like traditionalism or historicism or vernacularism, I even think that Post-Modernism in architecture, all diverge from that point onwards. Maybe in the first instance, some principles were used with regard to space organisation but then it also turned back even in formal architecture into imitations, etc. Maybe you did not imitate form but at least you sort of attacked the space organisation which was prevailing then. So would this be a wrong comment? AS: It is very difficult to comment; we are always dealing with ideas, we try to be forward-looking. In a way I think you are in that position yourself with your work, concerning yourself with what is happening to Ankara and in what direction it might go on; one should probably, while we are here, comment on the role of the Architecture School on this really rather splendid campus because it has not only a particular connection, but a general connection. That is, in Europe they are training too many architects, and a number of schools are having to close and the universities are often quite willing to lose their architecture faculties because the students are there for a long time on campus and do not get sufficiently involved with the other faculties. I sense that this perhaps is also happening here: we looked at some students' work yesterday, where they were dealing with extending the School of Architecture building and in having the existing conditions explained to us, we found out with Charles Polonyi's help, that already the basic ideas of the campus, the basic concept, had been compromised by the architects themselves, never mind by any other faculty. So I would put in a plea for the architects to get more involved on the campus. Now when I say that the architects themselves had compromised what I saw as the basic idea: I see the campus as laid out along a ridge with a pedestrian way running along this ridge, feeding buildings on either side that look outwards and across the service roads which are lower down the slope on either side, and these service roads feed car parks. Now what has happened when I say compromised is that a car park has been brought right up into the slope, on to the crest so that the smell of the cars is here, whereas the original idea of the Campus was to keep the smell of the cars down the slope, and put the pedestrian way on the crest of the ridge so that one walked through sweet-smelling space and then went into the buildings on either side without any fear of traffic movement and certainly without any smell from the cars. Now, for the architects to compromise the concept is really terrible, because by their actions they should teach. The school building is splendid, it has marvellous spaces, it is well kept, but I think you should get that car park out of there and down the slope where it should be, immediately off the service road, and ask other faculties to do the same, if anybody else has also broken that basic concept. Do you have a comment on this because I think with it being early summer, coming from England we are very conscious of the marvellous smell on the campus, the scent of the blossoms coming out. PS: I was upset by the fact that in the pedagogy, the teaching of this program, the faculty had not fed them with the fundamental organizational ideas of the university. When you asked what the impact of Team 10 has been, you could say that there has been a kind of seepage of the Patrick Geddes ideas into the general consciousness, in some way using Team 10 and CIAM. That is, it is quite normal now in a European school for the student of his own volition, on his own initiative, to try to understand the nature of the fabric which he has been asked to work. That is a very Geddesian idea, i.e., don't touch it till you think you understand it. Then you don't have to continue with the existing fabric, but if you understand it you have the right to intervene; like a doctor looks at the symptom, then he tries to figure out why you have the symptoms, then once he thinks he understands, that 'right to touch' is won, is earned by the understanding. Thinking, forward, the nice thing to happen would be like the Paris Haussmann commission to bring clean water from the hills, to provide central drainage and cleaning systems for the drainage; that was part of the process of putting in the boulevards, air, trees, etc.; on the surface, it was just putting in a street, a traffic way, but it carried out all these other things. The mood of Europe is again undoubtedly towards a more green Europe. Taking the view that the culture grows from the bottom, that every decision that is taken about a building should now have built into it the notion of how will it effect the immediate environment and then the countryside, and in a way the global environment. Because if it is true that the ozone is effected, it is not because of one industry: it is our collective acts, each individual act; that every time you buy a refrigerator the old is on the waste-heap. So that the consideration of building an urbanism is suddenly, I think, in a way Patrick Geddes - continued. Talking about British heroes, the lady that went to Skutari to help with the...
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Abstract (Original Language): 
The fashion in old clothes at the end of the 1980's principally depends for its expression and identity on how the items are put together and put on, rather than the style of the item. The putting together, the frisson of the togetherness is enough for a young person to identify - by all sorts of nuances of hair, makeup, stance, gear, a.s.o. - the person's group allegiance. So items, colours of items, are taboo to young people: elders do not see this, do not know; are outside the knowing about the identities implied. The surges of what the young call 'style' are emanating from the 'unemployable', the 'disadvantaged', the ethnic minorities, as statements of their freedoms... on London housing estates these young people Vork' at changing 'style' as if their life depended upon it: a 'must have it' acquisitiveness is compounded with those surges of assertive energy natural to their age group... this aggressive making of 'style' is transmitted by this process: one day one crosses the housing estate wearing something, next day another is seen, the day after several, by the end of the week those that identify with that particular 'style' urge cannot be seen without this something, will have stolen for it -shop or private house (where the video will have been ignored) - by the end of the month, this something is in the 'style' magazines and 'clubs' will be refusing entry to those whom they do not consider wear it well enough; a year later it is in the international glossies. We have been watching people's aspirational energy since the 1950's; during the 1980's aspirational energy really became aggressive; in some places achieved maniacal proportions. This last quarter century has been a period in which tidal movements have run around the world: of fashion, of interest, of people movements: surges, undertows; withdrawals, integrations. The people involved in movements of national displacement, more often than not, come to inhabit unfashionable places in their chosen new countries. The built fabric they once occupied bore a close relationship to their patterns of work and occupancy: the style of the place and inhabitation had an internal consisten cy. Often such places are abandoned, either in part or in whole, because the aspirations acquired by those who left could not be paid for by traditional means, or be accommodated within the traditional houses, which were probably arranged on their terrain for access by donkey or on foot; with the tools for work, the necessities for sustenance, portered out and in by those same means. In those indigenous places where consistency of kind and of fabric are left undamaged, where the remaining people have roots that can still be succoured and where a sufficiency for their yearly needs is available, such places can still be inhabited with some remembrance of the original 'style' intentions if not with energy. All that seems important for their integrity to continue to survive is for the texture of the 'molecules' of renewal all flow in that same direction as the original fabric; that the texture of such an area does not come to be disrupted by a form that acts as a threat to the existing. Occasionally those who abandon places of integrity manage to squat next to each other and so cohese an incoming community and, thereby, through some sort of collective energy, roll over some of the skills of place making into the rather inhospitable territory they have found within or without city boundaries. In some other cases (London) the instinct for an energy displaying itself in 'style' re-emerges in the children of the migrants only in those things, such as clothes, that they can make available to themselves. Whereas those ex-nationals who have been migrants for centuries disfigure or destroy, with a kind of (anti-calvinist) self-justification the furniture of cities, even the hard fabric. The concern only for the transient 'style' and the rejection of the permanent, makes talk in England of participation almost baseless. Those who Vear style' decorate our city and this impermanent, the transient, has an energising role; but, particularly if we include advertising and so on in the transient energisers, only with the increase (the burgeoning) of a parasitical society. All this relates back to our earlier interests that we fully explored from the 1950s into the 1970s (2). In the squat we seem to find both transience and permanence, in that the values they stand for have a permanence in their continuity, of remembrance of worth while values... a transience/permanence that has an extra 'green' value in that it can be wiped away, only having caused such transient damage to a terrain so that nature can reassert and, renew itself. Whatever happened to the last upsurge of transient 'style'? ... than American 'hippy' movement that had a theory to live on the earth lightly (like an American Indian?) but ended in such squalour because the people had never learned the skills of the transient, so many of which have to be inborn, instinctive., but above all disciplined... to be able to move on, on foot (without polluting, or using fossil fuel resources,) to the next resting place, leaving no more than the hearth traces, surrounded by tiny coloured beads? (Exchanged with the Indians for animal skins)... the culture that began this trade saw the last of the American art of the transient (Indian or Trail of settlers) and is seeing the are when no indigenous animal is secure anywhere in the world. So how do we turn towards a greener inhabitation?... the light touch that does not destroy, that has 'style' but no aggressiveness to man nor beast nor permanent fabric nor fragile earth? In countries where squatters still have their instincts intact as regards to aspect/prospect/climate, how can architect/urbanists harness the energy of the many individual decisions made, of that free fall collectively made scatter that seems to fit the topography of the terrain? 2. Architects' Year Book 8,1957: The Aesthetic of Change, (on permanence and transience); in Architectural Design: The Fine and the Folk, August, 1965; Concealment and Display, July, 1966; Signs of Occupancy, February, 1972. The free fall, terrain-loving characteristic of these squatter places we seem unable to properly service... never does any one act in sufficient time during their becoming. Afterwards we remain powerless, mainly because we do not have the right thinking. Certainly we have no suitable infrastructure of the necessary delicateness to offer... wires have to be strung; pipes run along the eaves; buses, pick-up trucks, negotiate the dirt tracks that have no safety margin (apart from beside the telegraph poles): its all workable and the private piece of earth and the private portion of sky, are maintained. But the 'style' of inhabitation is compromised. The squatted area is viewed askance, yet envied, by those in the more 'civilized' parts of the city with their integrated services, who wo uld like to deny the instincts of the squat, simply demolish its 'unseemliness'... its reproach. To the architect/ urbanist there is in the squatted places a magic of a remembrance, of the energy of the individual choice; there are 'green' instincts; there are still the roots of what should more often be on offer. The failure of the professional form givers is that the especial rules of such a squatted place and the kind of servicing suitable for such places, it seems, have been insufficiently ascertained because we cannot understand the magic formula of the making of a topographically sensible place: the nature of the squatters township lies outside our learned disciplines, our rules and convictions. Yet, we need their quality, they need to be better served. A.M.S.: Ankara, April, 1989.
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REFERENCES

References: 

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1968 Summer
1968 September
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1968 Autumn
1968 Autumn
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P.S.
Tribute to Pierre Jeanneret. A.S.
Urban Structuring + Arena (odd
composite Japanese text).
Treasure Island contributions.
Quotations from Architectural
Design essays (English & Italian
translation).
Mies van der Rohe: seminar (reprint)
P.S.
Four Book Reviews. A.S.
We Need to Reverse our Priorities:
The Fragmentary Utopia. P.S. + Verbal
Illustrations of Transit Perception.
AS.
Density, Interval & Measure
(reprint). P.S.
The Economist Building: after 5
years.
Walks within the Walls - a study of
Bath as a built form taken over by
other uses. P.S.
Building Review: Erskine's Clare
Hall, Cambridge. P.S. + Ernesto
Studio Vista &
M.i.T. Press
Architectural
Design
Architectural
Design
Thames & Hudson
The Evacuees: ed.
B.S. Johnson: Gollancz
Technische
Universitat Berlin
Architectural
Design
Casabella
R.I.B.A. Journal
Architectural
Design
Toshi-Jutaka
(Japan)
Architectural
Design
Zodiac 18 (issue
on Great Britain)
Architectural
Design
Architectural
Review
Formes et Functions:
Year Book:
ed A.Kraft (Geneva)
Architects' Year
Book 12
Architects' Journal
Architectural
Design
Architectural
Design
Rogers: (obituary). P.S.
BIBLIOGRAPHY, ESSAYS AND BOOKS METU JFA 1989 93
1970 January
1970 July
1970 August
1970 September
1971 February
1971 March
1971 Spring
1971 May
1971 June
1971 Summer
1971 July
1971 August
1971 August
1971 September
1971 September
1971 October
1971 December
1972 January
1972 January
1972 February
1972 April
Robin Hood Gardens, model + in
construction: voices A. & P.S.
Ordinariness & Light: Urban
Theories '52 - '60 and their application
in a building project '63-'70:
Robin Hood Gardens.
Book Review: Tired Trulli. P.S.
Chairs: 1918-1970, comment on
Whitechapel Exhibition. P.S.
The Pursuit of Ordinariness: Garden
Building, St.Hilda's, Oxford, (text R.
Middleton)
Book Review: Tange. P.S.
Team 10 Primer (Japanese translation).
So Buildable, So Clear: Book
Review: Mies' drawings. P.S.
Bath: Walks within the Walls
(reprint). P.S.
Urban Structuring (Japanese translation).
Clark's New Street, Somerset:
proposals.
Simple Thoughts on Repetition. P.S.
Signs of Occupancy: Witt's Seminars
of Easter'70 P.S.
Answers to questionnaire A.S. +
Propositions for Florence. P.S.
Struttura Urbana (Italian translation).
Toulouse le Mirail: reactions. P.S.
Vehicles, Mechanisms, Services:
another ordering. P.S.
John Killick: (obituary). P.S.
Book Review: The Emperor's New
Clothes. P.S.
Signs of Occupancy. P.S. + Book
Review: 1926 & all that. A.S.
Book Review: Another of a Kind.
A.S.
B.B.C. T.V.film
(colour) .producer:
B.S. Johnson
Faber & Faber +
M.I.T. Press
Architectural
Review
Architectural
Design
Architectural
Design
Architectural
Design
Shokokusha Pub.
Co. Inc. (Japan)
Architectural
Design
Adams & Dart
(Bath)
Bijutsu Shuppan-
Sha (Japan)
Architectural
Design
Architectural
Design
Plan Vol.56 No.8
(South Africa)
Formes et Functions:
Year Book:
ea\A.Krafft
(Geneva)
Calderini (Italy)
Architectural
Design
PlanVol56No.l2
(South Africa)
Architectural
Design
Architectural
Design
Architectural
Design
Architectural
Design
METU JFA 1989 ALISON AND PETER SMITHSON
1972 June
1972 September
1973 February
1973 August
1973 October
1973 October
1973 November
1973 December
1974 January
1974Jan./Feb.
1974 March 29
1974 April
1974 Mar./Apr.
1974 May
1974 May
1974 June
1974 July
1974 September
1974 November
1975 March
Vehicles, Mechanisms, Services:
another ordering, (reprint) P.S.
Rorence: a proposal. P.S. + Robin
Hood Gardens, London E.14: definitive
publication (poor printing) P.S.
Book Review: Happy Hols: Candilis.
P.S. + Building Review: Gund Hall.
P.S.
Ruminations on Founders* Court.
A.S. + Review: Forum (U.S.A.) special
issue on Louis Kahn. A.S.
Collective Design: Initiators and Successors.
P.S.
Without Rhetoric - an Architectural
Aesthetic 1955-1972
Shadrach Woods: 1923-1973
(obituary). P.S. + Collage of
photographs + postcard text of Shad
Woods. A.S.
Travel notes: Tunis, Berlin, Rio,
Wuppertal, Johannesburg. A.S.
Interactions and Transformations:
urban structure and urban form. P.S.
+ Review: Japan Architect. A.S.
Berlin Free University contribution.
P.S.
Louis Kahn (obituary contribution).
To Embrace the Machine. P.S.
Book Review: The Athens Charter.
P.S.
Collective Design: The Violent Consumer,
or Waiting for the Goodies.
A.S.
The Free University and the Language
of Modern Architecture. P.S.
Collective Design: Lightness of
Touch. P.S.
Collective Design: Reappraisal of
Concepts in Urbanism. A.S. +
Thorpe Thewles Viaduct. P.S.
How to Recognise and Read Mat-
Building. A.S.
Collective Design: Collective
Quality. A.S.
Collective Design: The Good
Tempered Gas Man. A.S.
Architectural
Design
Architectural
Design
Architectural
Design
Architectural
Design
Architectural
Design
Latimer Press +
MJ.T. Press
Architectural
Design
Feedback: Pentagram
Architectural
Design
Architecture Plus
(U.S.A.)
Building Design
No. 19
Architectural
Design
Architecture Plus
(U.S.A.)
Architectural
Design
Domus 534
Architectural
Design
Architectural
Design
Architectural
Desigp.
Architectural
Design
Architectural
Design
BIBLIOGRAPHY, ESSAYS AND BOOKS METU JFA 1989 95
1975 May
1975 June
1975 September
1975 October
1975 October
1975 October 10
1975 October 17
1975 November
1975 December
1976 March
1976 April
1976 April
1976 June
1976 July
1976 July
1976 August
1976 November
1976 Autumn
1976 December
1976 December
1977 January
Collective Design: Making the Connection.
P.S.
Building Review: Affirmation:
Church at the Hague: Aldo van Eyck
P.S.
Thinking of Louis Kahn. P.S.
The Space Between. P.S.
Book Review: A Most Unsettling
Person: Patrick Geddes. AS.
Book Review: Furor Hortensis: Essays
on the History of the English
Landscape Garden. AS.
Book Review: The Man in the Street
Shad Woods. P.S.
Team 10 at Royaumont, 1962:
editors: C. Woods, J.Furse. A.S.
Book Review: Education for Living:
Rapoport. AS.
Three Book Reviews: Godefroy,
Burnham, Howe. P.S.
Louis Kahn's Centre for British Art,
Yale. P.S.
Ronald Jenkins: Oration. P.S.
Oxford & Cambridge Walks. P.S.
The Tram Rats: a story for adults and
children. AS.
Statement on the Tram Rats. Net 3:
Rally of 40 London Architects:
Alvar Aalto: contribution.
Book Review: A Worried Man, Man
in the Street Shad Woods. AS.
In Pursuit of Lyrical Appropriateness.
AS.
The Christmas Tree. AS. + Calendar
of Christmas AS.
Kreuzburg Study: Berlin 1975. AS.
Four Visits: Arm6e du Salut: 1948,
1954,1959,1976.
Architectural
Design
Architectural
Design
A + U: special
issue Louis Kahn
Oppositions 4
(dated 74)
(U.SJL)
Architectural
Design
Building Design
Building Design
Architectural
Design
Architectural
Desigt
R.LB.A. Journal 3
R.I.BJİ. Journal 4
The Anıp Journal
(tape in A. + P.S.
archives)
Architectural
Design
Art Net, Central
Street (London)
Art Net, Central
Street (London)
Ark: Arkkitehti 7.8
(Finland)
Architectural
Design
Spazio e Societa
London University:
In connection
with Banister
Fletcher Professorship.
PS.
Lotus 13
Bauwelt 1
96 METU JFA 1989 ALISON AND PETER SMITHSON
1977 January Antonin Raymond: (obituary). P.S. R.I.B.A. Journal I
1977 January Without Rhetoric: excerpts (German
translation).
1977 February Apropos Terni. P.S. + Words on
Centre Pompidou. P.S.
1977 May 6 The Smithsons: A Profile, part 1: interview.
1977 May 13 A Profile, part 2: interview.
1977 June Making Another Connection. P.S.
1977 June Adamsez sanitary fittings (not as
original text). A.S.
1977 October Postscript. P.S.
1977 Winter Risking More to the Future: some
thoughts on connection; concerning
narrative and change of organisational
base. P.S.
1977 The City Centre Full of Holes. A.S.
1978 January
1978 February
1978 March
1978 Spring
1978 May
1978 May
1978 May
1978 June
1978 July
1978 Summer
Quality of Place. AS.
Book Review: Fitting together Fragments.
P.S.
Book Review: The Aeolic Style. P.S.
Beaux Arts Exhibition: M.O.M.A.,
N.Y.: Forum at I.A.U.S.: contribution.
P.S.
Pahlavi National Library Competition
Evaluated. P.S.
Open New Year Letter to Kurokawa.
A.S.
Peter Smithson in Delft: extracts of
essays (Dutch translation).
On Amancio d'Apoim Guedes. A.S.
The Smithsons... Gone swimming.
A.S.
Answers to questions asked: Pietila.
1978 August
AS.
Extract of Paper on Identity
presented at Ramsar, Iran, October
1976. A.S.
WerkArchithese
(Switzerland)
I'Architecture
dAujourd'hui 189
Building Design
Building Design
Arkitekten (Denmark)
Design Magazine
342
Architectural
Review: Jubilee
number
ILA&UD: Annual
Report, 1977
(Urbino)
Architectural Association
Quarterly
Vol.9, No.2 & 3
Spazio e Societa
R.I.B.A. Journal 2
R.I.B.A. Journal 3
Oppositions
(U.S.A.)
R.I.B.A. Journal 5
Japan Architect
Delft Nieuws: Jaargangll,
34
A + U06
Art Net Rally,
Central School
(London)
First Compendium:
International
Enquiry Oula
University (Finland)
Architectural
Review
BIBLIOGRAPHY, ESSAYS AND BOOKS METU JFA 1989 97
1978 August
1978 September
1978 October
1978 December
1979 February
Book Review: The Stones of Athens.
P.S.
Places Worth Inheriting. A shopping
list for quality of place. A.S.
Charles Eames: (obituary). P.S.
Once a Jolly Swagman. P.S.
A Batons Rompus: contribution to
seminar, La Tourette. P.S.
1979
1979 May
1979 Summer
Some Further Layers: work & insights.
P.S.
Without Rhetoric: additional
material St. Hilda's, Oxford
(Japanese translation).
Ordinariness & Light (Japanese
translation).
1979 September Chains of Remembrance. P.S.
1979 November Anthology of Christmas: (integrated
b + w illustrations for 24 Doors exhibition),
ed. A.S.
1979 November 24 Doors to Christmas A.S.
1979 December Where the Dream has Landed: Le
Corbusier. A.S.
1980 January Working within an Inherited Language,
P.S.
1980 August Bath: Walks within the Walls: (new
maps & horizontal format, poor).
P.S.
1980 Autumn In Praise of Cupboard Doors. P.S.
R.I.B.A. Journal 8
Association of
Consultant Architects
R.I.B.A. Journal 10
Architectural
Design 11:12
Actuality de la
Charte d'Athines:
Üniversite'des
Sciences
Humaines de
Strasbourg
ILA & UD: Annual
Report, 1978
(Urbino)
Shokokusha
Publishing Company
(Japan)
Shokokusha
Publishing Company
(Japan)
I.D.Z. Werkstadt
4:5 Architekten
Ziehen fur Berlin
School of
Architecture &
Building Engineering
University of
Bath
Kettle's Yard Gallery
Cambridge:
catalogue
Spazio e Societâ
anno 2, No.8
A.l^A. Journal
(U.S.A.)
Bath University
Press
İLA &UD: Annual
Report 1979
(Urbino)
1980 September Fruit from the Tree of Enquiry. P.S. Spazio e Societâ
1980 December Anthology of Scottish
Christmas/Hogmanay (envelope of
disparate sheets: failure), ed. A.S.
Edinburgh College
of Art: Graphics
Department
98 METU JFA 1989 ALISON AND PETER SMITHSON
1980 December
1981 March 4
1981 April
1981 June
1981 June
1981 Spring
1981 Summer
1981 September
1981 Sept./Oct.
1982 January
Calendar of Christmas (colour xerox
illustrations added to approximately
100) Christmas Tree (approximately
30 copies), ed. AS.
Oration for Bakema. P.S. +
photographs. Si. S.
Hole in City: Damascus Gate,
Jerusalem. AS.
Layers and Layering. AS.
Heroic Period of Modern Architecture
(Fresh layout: see Architectural
Design December, 1965).
Space is the American Mediator, or
the Blocks of Ithaca: a speculation.
P.S.
Jaap Bakema: (obituary). P.S.
Three Generations. P.S.
Bakema: Oration. P.S. + Memorial.
A. & P.S.
Team 10 out of CLAM. ed. AS.
1982 January 24-30 Lauriston Place... how to make it a
place? AS.
1982 March Interview: Close Housing & Housing
Strategy.
Christmas + Hogmanay
Exhibition,
2980-81: Fruit
Market Gallery,
(Edinburgh)
Delft Nieuws 28
MAC NINE:
Mackintosh
School of Architecture
(Glasgow)
Spazio e Societâ
Idea Editions
(Milan) +
Thames & Hudson
(London) +
Rizzoli(NY) +
Wasmuth (Berlin)
The Harvard Architecture
Review 2
Forum 81/3 (Holland)
ILA & UD Annual
Report, 1980 (Urbino)
Archithese 5 (Switzerland)
Architectural Association
Graduate School
Theory and History
Papers 1:82
Edinburgh Winter
School: prospectus
B-Nieuws: Technische
Hogeschule,
Delft
1982/3 March
1982 July
1982 July
1982 July
1982 July
Comment on Alexander Road, Neave Plan 3 (Holland)
Brown. P.S.
Two drawings of Three Generations.
P.S.
Quotations, including 'Young Girl'.
Interview on Close Houses.
The Masque and the Exhibition:
Stages Towards the Real. P.S.
International Architect
No.7, Voll
Architectural
Review
Architekthur Fragmenten
(Delft)
ILA & UD Annual
Report 1981
(Urino)
BIBLIOGRAPHY, ESSAYS AND BOOKS METU JFA 1989 99
1982 15/16 Two small thoughts at Utrecht
(from Heroic Period) P.S.
1982 October The Shift in our Aesthetic, 1950-
1978.
1982 October Statement: The Inheritance of the
Modern Movement. + Statement:
Second Arts, University of Bath.
1982 November 3 AS in DS: announcement,
photograph. A.S.
1982 November 10 Image of DS on road.
1982 Louis Kahn: Invitation to Otterlo.
A.S.
1982 December The Legacy of the Modern Movement:
some threads A.S.
1983 January Team 10 and Robin Hood Gardens:
Interview. P.S.
1983 February For Jean Prouve\
1983 May 20 AS in DS: An Eye on the Road. A.S.
1983 May A quarter of a century working with
Berlin. A.S. + Lutzowstrasse housing,
Berlin. + Schinkel, Schinkel, little
star... Poem. P.S.
Wonen TA BK
Academy Editions
(London) + Rizzoli
(U.S.A.)
Catalogue: La
Moderniti: un
Projet Inacheve";
Editions du
Moniteur
B-Nieuws: Technische
Hogeschule,
Delft
B-Nieuws: T.H.,
Delft
Arquitecturas
41/42 (Barcelona)
Spazio e Societâ
Topics in Architecture
81/82: University
of Hong Kong
İnstitut Français
dArchitecture: VExposition
Jean
Prouvi
Delft University
Press
Architectural
Design 53
1983 June
1983 July
1983 July
1983 August
1983 June/July
1984 March
1984 April
Urbino: To Work at the Gates. P.S.
+ Siena: To Work at the Gates P.S.
Book Review: Hubertus House: Aldo
van Eyck. P.S.
AS in DS: A Sensibility Primer for exercices
in Architecture: on the Delft
T.H. Campus + in nearby towns.
Parallel Inventions. P.S.
Two Gates. P.S.
The Grown and the Built: The
Landscape That Can Survive and The
Lewerentz Connection. (Claire Watson
Forrest Memorial Lecture:
U.S.C., Berkeley, Eugene, Spring
'83).A.S.
AS in DS: statement. A.S.
ILA&UD Bulletin
3 (Siena)
Wonen TABK
13/83
B-Nieuws: T.H.,
Delft
ILA & UD Year
Book 1982 (Siena)
Parametro (Italy)
Spazio e Societâ 25
Delft University
Press
100 METU JFA 1989 ALISON AND PETER SMITHSON
1984 April
1984 May
1984 September 11
1984 September
1984 Oct/Nov/Dec
1984 November
1985 July
Book Review; Man of Metal: Neutra. Architectural
P.S. Review
1985 August
1985 September
1985 October
1985-1986
1986 April
1986
1986 Guigno
1986 July
1986 August
Passing It On: discussion. P.S.
Tower to Vauxhall Bridge: South
Bank of the Thames: (illustration not
by A. & P.S.)
To Work at the Gates. P.S. + Porta
Camollia. P.S.
Going Back: Mies re-visited. P.S. +
The Territory of the Pavilion. A.S.
Thirty Years of Thoughts on the
House and Housing.
Report on Noah's Ark Seminar.
On the Edge. P.S. + A New Use, A
New Tower. P.S.
The 1930's.
A Fragment of an 'Enclave*: The
Equivalent for the Late Eighties of
the Barcelona Pavilion. AS.
AS. a Girona: Three Pavilions. AS.
Book Review: Locked in Time (5
buildings, 1811-1905). P.S.
Architectural
Review
The Times
ILA & UD Year
Book 1983184
(Siena)
Quaderns (Barcelona)
Architecture in an
Age of Scepticism:
ed: Denys Lasdun:
Heinemann
Archiphant: 22:
Zeitung der
Fachschaft Architektur:
Technische
Universitüt,
(Munich)
ILA & UD Year
Book 1984185
(Siena)
Alexander Verlag
for Tecta
Estab Taller
P.F.C., (Barcelona)
1985
BUILLETI20:
Collegi (d 'arquitectes
de Catalunyou:
Demarcacio
de Girona)
Architectural
Review
Another Way. P.S. + Filarete: Hospi- ILA & UD, Bitlisi
in Millan. P.S. letin. 1:86 (Siena)
Francesco Di Giorgio & the Ducal Spazio e Societa 34
Palace in Urbino: a response to Giancarlo
De Carlo's reflections. P.S.
When We Design a Chair. P.S. + Der Kragstuhl:
quotations (English & German trans- Alexander Verlag
lation). for Tecta
To Establish a Territory. P.S. + An
Agitation of Surface in Front of
Santa Maria della Scala. P.S.
ILA & UD Year
Book 1985-86
(Siena)
BIBLIOGRAPHY, ESSAYS AND BOOKS METU JFA 1989 101
1986 October Questionnaire (edited despite Niet om net even:
1986 November
1986 November
1986 December
1986 December
1987 January
1987 February 26
1987 March
refusal). P.S. (Photographs P.S. + Si. Van en overAldo
S.).
Territory. A. + P.S. Group 'O' diary.
AS.
Quotations on Eames. P.S.
Contributions on Munich, Barcelona.
AS.: U.S.A. Si.S.
Upper Lawn: Solar Pavilion, Folly,
(English & Spanish text).
Climate Register. P.S.
Scaffolding: Pre- occupations. AS.
(item 2 penultimate line missing).
Use and Re-use.... Santa Maria della
Scala. + Some understandings and inventions
gained or confirmed at ILA
& UD. P.S.
van Eyck Stichting
Rotterdam -Maaskant
International
Workshop Seminar:
Râcheve, 1985
Voorheen OA.
Another Feedback:
Pentagram
Papers
Escola Tecnica Superior
d'-
Arquitectura,
Universitat Politecnica
de Catalunya
(Barcelona).
McDonald and
Salter Building
Projects: 1982-86
Architectural Association
Events list: Architectural
Association
Postgraduate
School
İLA &UD Bulletin
1/87 (Siena)
1987 March Re-energising the Conglomerate. Circular No. 1
Technical University
of Budapest International
Workshop Seminar
Gül Baba
1987 April Territorial Imprint: summary. P.S.
1987 June
1987 June
Background paper to prepare the
mind for connective working.
Santa Maria della Scala: Janus-
Thoughts about the Fosso de S. Ansano.
+ The Janus-Building. P.S.
European Conference
on Architecture:
summaries of
papers (Munich)
Triangle Artists
Workshop Newsheet
1987
İLA &UD Bulletin
2187 (Siena)
102 METU JFA 1989 ALISON AND PETER SMITHSON
1987 July
1987 August
1987 August
1987 September
Jumping the Language. AS. + We
Never Design: report of A + P.S.
Munich visit 1985, Rainer Vallentin.
(German text).
Conglomerate Ordering. P.S.
Extract of biography 4- Snowdon
photograph (colour).
Biography of AS. + 1954
photograph.
1987 September Territorial Imprint. P.S.
1987 November
1988 January
But Today We Collect Ads: reprint
from Ark 1,1956
The Silent Architects
1988 February 17
1988 February 25
Ove Arup: (obituary) P.S.
Some thoughts on a Period of State
Patronage P.S.
1988 March 15 Compulsions Shared. P.S.
1988 March Berlin as an Island of our Mind.
1988 March 30 Peter Banham: (obituary) P.S.
1988 April Beatrix Potter's places: reprint:
Beatrix Potter's Postboxes. A.S.
(colour)
1988 April Whatever Happened to Metabolism?
1988 May Use and Re-use. P.S. (Italian text).
A' Zeitung fur Anlaufende
una archuriete
arkitekien
(Munich)
İLA & UD Year
Book 1986/7
(Siena)
Sunday Times
colour supplement
The Complete
Woman: Valerie
Grove: Chatto &
Windus
1987 European
Conference on Architecture:
H.S.
Stephens & Associates
This is Tomorrow
Today: PSI
catalogue (New
York)
Sigurd Lawerentz
1885-1975 the
Dilemma of Classicism:
Architectural
Association
Architects' Journal
Lyons, Israel,
Ellis: Architectural
Association
catalogue
Peter Dunican
70th Birthday
Tribute: Ove Arup
& Partners
AA Files 15: Architectural
Association
Architects' Journal
Studio International
Vol.201
No. 1019
The Japan Architect
372
Spedale di Santa
Maria della Scala:
atti del Convegno
Internationale di
Studi
BIBLIOGRAPHY, ESSAYS AND BOOKS METU JFA 1989 103
1988 May A. & P. Smithson Project, statement.
1988 June
1988 June
Bibliography + Statement. A.S.
Triangle Artists'
Workshop
(Mashomack,
Pine Plains, New
York)
Women in Design:
Trefoil Publications
Inheritance of the Roman Paved and Internatiomnal
1988 June
1988 Summer
1988 August
1988 August
1988 October
1988 November 30
1989 January
Serviced Domain: the Islamic Paved
and Serviced Domain. A.S. + Conglomerate
Urban Ordering. P.S. +
Gül Baba .... Walls + The Calm
Place of Gül Baba.
Ordinamento Urbano Comglomerate.
(Italian text). P.S.
Heritage: Carre" Bleu, Paris. A.S. +
Paying More Attention. P.S.
Quotation from 'The Cantilever
Chair', etc...
Janus Thoughts for Siena. P.S.
Book Review: Giancarlo De Carlo.
P.S.
Building 6 East, University of Bath:
full exposition, b.w. + colour
photographs.
But Today We Collect Ads: reprint,
from Ark 1,1956.
1989 March
1989 May
1989 June
Delphi, September, 1988: statements
+ after thoughts.
Heritage: CarrĞ Bleu, Paris, May,
1988. A.S. + Can the Swiss have
their apple and shoot it?
Dimitris Pikionis.
1989 May Territorial Impression P.S., 1976.
Workshop Seminar:
Gül Baba,
Budapest
Acadimia Petrarca
di Lettere Arti e
Science, Ottobre
1986, Arrezzo
Le Carre" Bleu 2 a
Beaubourg (May,
'88)
The Modern
Chair: LC.A. London,
catalogue
İLA & UD Year
Book, 1987-1988
(Siena)
Casabella 550
Architects' Journal
Modern Dreams:
The Institute of
Contemporary Art.
Clocktower Gallery,
(New York,),
M.I.T. Press
L4A Journal, 1989
(Bulgaria)
Spazio e Societâ 45
Dimitris Pikionis
1887-1968: A Sentimental
Topography:
Architectural Association
Time 4- Architecture,
2 (Shanghai)
104 METU JFA 1989 ALISON AND PETER SMITHSON
1989 August Think of it as a Farm. P.S. + S. Miniato
Tower. P.S.
1989 September Investigations of New Patterns. P.S
1989 September
1989 October
1989 November
1989 December 15
1989 December
Scaffolding. A.S.
Two roofs at the University of Bath.
P.S.
Inheritance of a Functional Tradition
in Islamic Architecture. AS.
Wild Wege/Wild Ways. AS.
The Economist Building in 1989. P.S.
1990 Winter Architecture that Speaks: Uzbekistan,
October, 1988. AS.
1990 January The 'As Found' and the 'Found* +
Retrospective Statement + Selections
from Critical Writings.
1990 February
1990 February 20
1990 February
1990 March
Respect for a sixties survivor: on
Economist. Peter Murray.
Patio and Pavilion reconstruction:
AS. answering questions.
Audible Architecture: an Architecture
with Voices. A.S.
Into the Air. AS.
1990 Spring Quote.AS. Beatrix
ILA & UD Year
Book, 1988-1989,
(Siena)
Time + Architecture,
3. (Shanghai)
A3. No. 12 Vol.5
/Architecture
dAujourd'hui 265
APX3, Architectura
CCCP,
(Union of Architects,
Moscow)
Daidalos
Spazio e Societâ
47148
Angio Soviet Journal
Vol.49 No. 3
The Independent
Group: Postwar
Britain and the
Aesthetics of Plenty,
catalogue,
M.I.T. Press
Blueprint
B.B.C. T.V Late
Show, Independent
Group Exhibition,
I.C.A.
Architecture and
Construction in
Russia, AC.2.90
(Moscow)
Mass: Journal of
the School of Architecture
& Planning,
University of
New Mexico
Potter's Art: Anne
Hobbs: Warne
1990 May Berlin: quote from 1916 a s o. AS. Architecture Today

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