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The Process of Reconstruction in Margaret Atwood’s The Handmaid’s Tale

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331

REFERENCES

References: 

Atwood, Margaret. The Handmaid’s Tale (London: Vintage Books, 1996).
Bouson, B. J. Brutal Choreographies: Oppositional Strategies and Narrative Design in the Novels of
Margaret Atwood (Amherst: University of Massachusetts Press, 1993).
330 RAH‹ME ÇOKAY
33. Margaret Atwood, The Handmaid’s Tale, p.144.
34. M. Foucault, The Archeology of Knowledge (London: Tavistock, 1974), p.38.
35. Margaret Atwood, The Handmaid’s Tale, p.127.
Cixous, Helene. “The Laugh of Medusa” in New French Feminisms (Cambridge: University
Massachusetts Press, 1976).
Cixous, Helene and Catherine Clement. The Newly Born Woman [translated by Betsy Clement]
(Minneapolis: University of Minnesota Press, 1986), p.87.
De Beauvoir, Simone. The Second Sex (London: Pan Books, 1988)
Evans, Mary. Feminism: Critical Concepts in Literary and Cultural Studies, 4 (London: Routledge, 2001)
Foucault, M. The Archeology of Knowledge (London: Tavistock, 1974).
Hogsette, David S. “Margaret Atwood’s Rhetorical Epilogue in The Handmaid’s Tale: The Reader’s Role
in Empowering Offred’s Speech Act,” Critique, 38 (1997).
Carol Ann Howells. Margaret Atwood (London: Macmillan Press, 1996),
Cornier, Michael Magali. “The Gap between Official Histories and Women’s Histories’ in Margaret
Atwood’s The Handmaid’s Tale.” Feminism and the Postmodern Impulse: Post-World War II Fiction
(New York: State University of New York Press, 1996), p.167.
Rao, Eleonora. Strategies for Identity: the Fiction of Margret Atwood (New York: Lang, 1993)
Rich, Adrienne. Of Woman Born: Motherhood as Experience and Institution (New York: Norton, 1976).

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